LEADER 03572oam 2200733I 450 001 9910815483703321 005 20240213232022.0 010 $a1-900486-34-2 010 $a1-134-27814-4 010 $a1-134-27815-2 010 $a1-280-10701-4 010 $a0-203-32343-2 024 7 $a10.4324/9780203323434 035 $a(CKB)1000000000250312 035 $a(EBL)199521 035 $a(OCoLC)437059411 035 $a(SSID)ssj0000162927 035 $a(PQKBManifestationID)11166998 035 $a(PQKBTitleCode)TC0000162927 035 $a(PQKBWorkID)10105087 035 $a(PQKB)10303579 035 $a(MiAaPQ)EBC199521 035 $a(Au-PeEL)EBL199521 035 $a(CaPaEBR)ebr10161785 035 $a(CaONFJC)MIL10701 035 $a(OCoLC)958105262 035 $a(EXLCZ)991000000000250312 100 $a20180331d2005 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aGigs $ejazz and the cabaret laws in New York City /$fPaul Chevigny 205 $a2nd ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d2005. 215 $a1 online resource (162 p.) 225 1 $aRoutledge studies in law, society, and popular culture ;$v2 300 $aDescription based upon print version of record. 311 $a0-415-64800-9 311 $a0-415-34700-9 320 $aIncludes bibliographical references (p. 187-209) and index. 327 $aBook Cover; Title; Contents; Series Editor's Preface; Foreword; Acknowledgments; Introduction; Prelude; The Musicians Union; The Music in the Clubs; Regulation as Denigration; The Campaign to Change the Law: Lost in the Labyrinth; The Campaign to Change the Law: Free Expression; The Process of Change; The Lives of Musicians; Conclusion: Politics, Law and Music; Chart on Zoning and Licensing; Afterword; Notes on Sources; Notes; Index 330 $aGigs provides a fascinating account of a unique victory for musicians against repressive entertainment licensing laws. It provides a much-needed study of the social, political, cultural and legal conditions surrounding a change in law and public attitudes toward vernacular music in New York City. This second edition includes a new preface by Hamish Birchall and an introduction by the series editors, Guy Osborn and Steve Greenfield, as well as an afterword by the author, and it will be essential reading for all those interested in the history of social attitudes toward the po 410 0$aRoutledge studies in law, society, and popular culture ;$v2. 606 $aPerforming arts$zNew York (State)$zNew York$xHistory$y20th century 606 $aPopular culture$zNew York (State)$zNew York$xHistory$y20th century 606 $aMusicians$xLegal status, laws, etc$xEconomic aspects$zNew York (State)$zNew York 606 $aMusic-halls (Variety-theaters, cabarets, etc.)$xLaw and legislation$xEconomic aspects$zNew York (State)$zNew York 606 $aJazz$zNew York (State)$zNew York$xHistory and criticism 615 0$aPerforming arts$xHistory 615 0$aPopular culture$xHistory 615 0$aMusicians$xLegal status, laws, etc.$xEconomic aspects 615 0$aMusic-halls (Variety-theaters, cabarets, etc.)$xLaw and legislation$xEconomic aspects 615 0$aJazz$xHistory and criticism. 676 $a791/.09747/1 700 $aChevigny$b Paul$f1935-2023,$01617533 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815483703321 996 $aGigs$93948761 997 $aUNINA