LEADER 04489nam 2200685 a 450 001 9910815393903321 005 20240516115121.0 010 $a9780810881259 010 $a081088125X 035 $a(CKB)2670000000148248 035 $a(EBL)850682 035 $a(OCoLC)775302608 035 $a(SSID)ssj0000645063 035 $a(PQKBManifestationID)12266734 035 $a(PQKBTitleCode)TC0000645063 035 $a(PQKBWorkID)10680446 035 $a(PQKB)11509930 035 $a(SSID)ssj0000632878 035 $a(PQKBManifestationID)12268159 035 $a(PQKBTitleCode)TC0000632878 035 $a(PQKBWorkID)10610889 035 $a(PQKB)11745603 035 $a(MiAaPQ)EBC850682 035 $a(Au-PeEL)EBL850682 035 $a(CaPaEBR)ebr10538133 035 $a(CaONFJC)MIL363550 035 $a(EXLCZ)992670000000148248 100 $a20110531d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBringing the body to the stage and screen $eexpressive movement for performers /$fAnnette Lust ; with movement consultant Jo Tomalin ; illustrations by C. Yeaton 205 $a1st ed. 210 $aLanham, Md. $cScarecrow Press$d2012 215 $a1 online resource (365 p.) 300 $aDescription based upon print version of record. 311 $a0-8108-8124-1 311 $a0-8108-8212-4 320 $aIncludes bibliographical references and index. 327 $aIntroduction: goals and objectives for learning to move expressively -- Physical and expressive exercises for stage and screen movement, mime, pantomime, corporeal mime, improvisation, basic physical and expressive exercises, and utilizing movement to create a visual image. Definitions of stage and screen movement, mime, pantomime, corporeal mime, stage combat, physical theatre and physical improvisation -- Conducting a class and practicing on one's own -- Basic physical and expressive exercises: utilizing movement to create a visual image -- Subjects for improvisation, pantomimes, movement for acting, mime and text. Interviews and essays on mime and acting, mask, Decroux and contemporary theatre, street theatre, movement training, dance and the female body, puppetry, theatrical dance, clowning, body of theater, and film -- Improvisation -- Pantomimes and scenes for nonverbal acting -- "Physicalizing" the word -- Interviews and essays. A conversation with Bill Irwin on mime and acting -- Interview with Bernie Schu?rch and Floriana Frassetto of the Swiss Mummenschanz Company -- Interview with Geoff Hoyle on the mime-clown-actor's art -- Etienne Decroux and the contemporary theatre: Decroux corporeal mime / by Robert Fleshman -- "The Bond St. Theatre's use of physical street theatre: an interview with Joanna Sherman and Michael McGuigan -- Joan Schirle on movement training for the actor -- Ilka Scho?nbein: dance and the female body -- Liebe Wetzel and movement in puppetry -- Karina Epperlein: images and body expression in film: gift of the gods -- Theatrical dance / by Joe Goode -- Jeff Raz: the clown conservatory teaching of professional clowns in the 21st century -- Movement for puppeteers by Dr. Jo Tomalin -- Too much geniality: notes and quotes on a reappraisal: stage versus screen acting / by Ken Bullock -- The body of theater / by Mark Jackson -- How Charlie Chaplin spun stagecraft into cinematic gold / by Dan Kamin -- Epilogue. 330 $aAs stage and screen artists explore new means to enhance their craft, a new wave of interest in expressive movement and physical improvisation has developed. In Bringing the Body to the Stage and Screen, Annette Lust provides these artists with a program of physical and related expressive exercises that can empower their art with more creativity. In her book, Lust offers a general introduction to movement, how to conduct a class or learn on one's own, learning programs that cover the use 606 $aMovement (Acting) 606 $aMime 606 $aMovement, Aesthetics of 615 0$aMovement (Acting) 615 0$aMime. 615 0$aMovement, Aesthetics of. 676 $a792.02/8 700 $aLust$b Annette$01643968 701 $aTomalin$b Jo$01643969 701 $aYeaton$b C$01643970 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815393903321 996 $aBringing the body to the stage and screen$93989532 997 $aUNINA