LEADER 03009oam  2200745 a 450 
001 9910815339903321
005 20161228114246.0
010   $a1-280-48687-2
010   $a9786613582102
010   $a0-472-02820-0
024 7 $a10.3998/mpub.3365636
035   $a(CKB)3170000000046346
035   $a(OCoLC)794493884
035   $a(CaPaEBR)ebrary10556472
035   $a(SSID)ssj0000601743
035   $a(PQKBManifestationID)11409650
035   $a(PQKBTitleCode)TC0000601743
035   $a(PQKBWorkID)10566238
035   $a(PQKB)11574144
035   $a(MiAaPQ)EBC3415053
035   $a(MdBmJHUP)muse9882
035   $a(MiU)10.3998/mpub.3365636
035   $a(Au-PeEL)EBL3415053
035   $a(CaPaEBR)ebr10556472
035   $a(CaONFJC)MIL358210
035   $a(OCoLC)923505193
035   $a(EXLCZ)993170000000046346
100   $a20110919d2012      ub             0
101 0 $aeng
135   $aurcn|||||||||
181   $ctxt
182   $cc
183   $acr
200 10$aPaul Robeson and the Cold War performance complex $erace, madness, activism /$fTony Perucci
210  1$aAnn Arbor :$cUniversity of Michigan Press,$dc2012.
215   $a1 online resource (232 p.)
225 1 $aTheater: theory/text/performance
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-472-07168-8 
311   $a0-472-05168-7 
320   $aIncludes bibliographical references (p. 199-213) and index.
327   $aIntroduction: the red mask of sanity -- Tonal treason and HUAC's psychoanalytic theater. Black performances and the stagecraft of statecraft -- Performing, informing, and shrieking innocence: surveillance, informance, and the performance of performance -- Discordant tones and the melody of freedom at Peekskill -- Anticommunism and the American lynching imagination -- Shedding blood and beating back fascists -- Staging anticommunism, staging racist violence -- Coda: the complex and the rupture.
410  0$aTheater--text/theory/performance.
606   $aPerformance art$xPolitical aspects$zUnited States
606   $aFreedom and art$xPolitical aspects$zUnited States
606   $aPolitics and culture$zUnited States
606   $aCold War$xSocial aspects$zUnited States
606   $aRacism$zUnited States$xHistory$y20th century
606   $aAnti-communist movements$zUnited States$xHistory$y20th century
607   $aUnited States$xRace relations
615  0$aPerformance art$xPolitical aspects
615  0$aFreedom and art$xPolitical aspects
615  0$aPolitics and culture
615  0$aCold War$xSocial aspects
615  0$aRacism$xHistory
615  0$aAnti-communist movements$xHistory
676   $a782.0092
700   $aPerucci$b Tony$01699300
712 02$aMichigan Publishing (University of Michigan)
801  0$bMiU
801  1$bMiU
906   $aBOOK
912   $a9910815339903321
996   $aPaul Robeson and the Cold War performance complex$94081430
997   $aUNINA