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100   $a20080118d2008      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aEuropean film theory /$fedited by Temenuga Trifonova
205   $a1st ed.
210   $aLondon : New York $cRoutledge$d2008
215   $a1 online resource (383 p.)
225 1 $aAFI film readers
300   $aDescription based upon print version of record.
311   $a0-415-96044-4 
311   $a0-415-96043-6 
320   $aIncludes bibliographical references and index.
327   $abook cover; title; copyright; contents; illustrations; acknowledgments; introduction: that perpetually obscure object of theory; part one: european film theory; one: european film theory: from crypto-nationalism to trans-nationalism; two: the aesthetics of race in european film theory; three: the disunity of film theory and the disunity of aesthetics; four: real location, fantasy space, performative place: double occupancy and mutual interference in european cinema; part two: film and philosophy; five: film as philosophy: a mission impossible?
327   $asix: platonic reconstruction and residual kantianism in film theoryseven: epstein, bergson, and vision; eight: heidegger and cinema; nine: listening and touching, looking and thinking: the dialogue in philosophy and film between jean-luc nancy and claire denis; part three: politics, history, ideology, and fi lm theory; ten: fabulation and contradiction: jacques rancie?re on cinema; eleven: the gaze of biocinema; twelve: from cinema to history: kracauer's shifting philosophical historiography; thirteen: disposition: from film theory to human action; part four: aesthetics and film theory
327   $afourteen: between the ornament and the corpse: adolf loos and classical film theoryfifteen: baroque dialectics or dialectical baroque: sergei eisenstein in/on mexico; sixteen: a screen for projection: ricciotto canudo's exponential aesthetics and the parisian avant-gardes; seventeen: synaesthesia in fi lm theory; part five: realism revisited; eighteen: innocence and ontology: the truthfulness of andre? bazin; nineteen: from distraction to indeterminacy to distraction: kracauer and contemporary film realist discourse; twenty: national identity and realism in postwar italian film and film theory
327   $atwenty - one: neorealism at a distanceappendix: teaching aid; contributors; index
330   $aEuropean Film Theory explores the 'Europeanness' of European film theory, its philosophical origins, the 'culture wars' between 'Continental' and 'Analytical' film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory. Writing from a range of disciplines and perspectives, the contributors to this new volume in the AFI FILM READERS series offer fresh interpretations of European film theorists and illuminate the politica
410  0$aAFI film readers.
606   $aMotion pictures$zEurope
606   $aFilm criticism$zEurope
607   $aEurope$xIn motion pictures
615  0$aMotion pictures
615  0$aFilm criticism
676   $a791.4301
701   $aTrifonova$b Temenuga$01598519
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910815286103321
996   $aEuropean film theory$93937232
997   $aUNINA