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010   $a9786612538865
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035   $a(EBL)488108
035   $a(OCoLC)609856888
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100   $a19980722d1999      uy             0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt$2rdacontent
182   $cc$2rdamedia
183   $acr$2rdacarrier
200 14$aThe picture in question $eMark Tansey and the ends of representation /$fMark C. Taylor
210  1$aChicago :$cUniversity of Chicago Press,$d1999.
215   $a1 online resource (158 pages) $cillustrations
300   $aDescription based upon print version of record.
311 0 $a0-226-79128-9 
311 0 $a0-226-79129-7 
320   $aIncludes bibliographical references (p. 133-135) and index.
327   $tFrontmatter --$tContents --$tPreface --$t1. Picturing Painting --$t2. Re-presenting Representation --$t3. Sutures of Structures --$t4. Painting Under Erasure --$t5. Figuring Complexity --$t6. Transitions --$tReferences for Paintings --$tIndex
330   $aA rich exploration of the possibilities of representation after Modernism, Mark Taylor's new study charts the logic and continuity of Mark Tansey's painting by considering the philosophical ideas behind Tansey's art. Taylor examines how Tansey uses structuralist and poststructuralist thought as well as catastrophe, chaos, and complexity theory to create paintings that please the eye while provoking the mind. Taylor's clear accounts of thinkers ranging from Plato, Kant, and Hegel to Merleau-Ponty, Derrida, and de Man will be an invaluable contribution to students and teachers of art.
606   $aPainters
610   $amodernism, visual art, mark tansey, structuralism, poststructuralism, catastrophe, chaos, complexity, paintings, plato, kant, hegel, truth, de man, derrida, merleau-ponty, monochrome, fresco, san francisco, media, appropriation, simulation, popular culture, sculpture, last judgement, allegory, magritte, puns, nonfiction, interpretation.
615  0$aPainters.
676   $a709.2
700   $aTaylor$b Mark C.$f1945-$0158562
701   $aTansey$b Mark$f1949-$01695144
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910815189503321
996   $aThe picture in question$94074178
997   $aUNINA