LEADER 03499nam 22006495 450 001 9910815176203321 005 20230102051113.0 010 $a1-4875-3509-0 010 $a1-4875-3508-2 024 7 $a10.3138/9781487535087 035 $a(CKB)4100000010859047 035 $a(MiAaPQ)EBC6154668 035 $a(DE-B1597)551088 035 $a(DE-B1597)9781487535087 035 $a(OCoLC)1129250397 035 $a(MdBmJHUP)musev2_108939 035 $a(EXLCZ)994100000010859047 100 $a20200526h20202020 fg 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aRighteous Anger in Contemporary Italian Literary and Cinematic Narratives /$fStefania Lucamante 210 1$aToronto : $cUniversity of Toronto Press, $d[2020] 210 4$dİ2020 215 $a1 online resource 225 0 $aToronto Italian Studies 311 $a1-4875-0688-0 320 $aIncludes bibliographical references and index. 327 $aPasolini's La rabbia and the Spectacularization of Scarpa's Posthuman Aesthetics -- An Apocalyptic Kamikaze: Tiziano Scarpa or How to Invade the Reader -- The Fundamental Things in Life According to Scarpa -- Melania Mazzucco's Un giorno perfetto: Domestic Violence on an Everyday Perfect Day -- Pushing Boundaries: Road Movies and Gas Stations in Monica Stambrini's Benzina -- A Recipe for the Advantages and Disadvantages of Love: Anger and Misogyny in Paolo Sorrentino's The Consequences of Love -- Society, Simulacra, and Love: Simona Vinci's Stanza 411 -- Wounding the Individual: Dynamics of Diversity and Anatomy of Love in Veronica Tomassini's Sangue di Cane. 330 $a"Righteous Anger in Contemporary Italian Literary and Cinematic Narratives analyses the role of passion--particularly indignation--and how it shapes intention and inspires the work of many contemporary Italian writers and filmmakers. Noting how art often holds the power to shed light on issues surrounding inequity, inequality, and injustices, the book explores the ethical function of art as a tool in resistance and sociopolitical protest, thereby validating the axiom that ethics and aesthetics can still collaborate in the creation of meaning. Drawing on a range of Italian novels and films and examining the works of artists such as Tiziano Scarpa, Simona Vinci, Paolo Sorrentino, and Monica Stambrini, the author shows that anger can be used constructively as a weapon of resistance against negative and oppressive forces."--$cProvided by publisher 410 0$aToronto Italian studies. 606 $aMotion pictures$zItaly$xHistory$y21st century 607 $aItaly$2fast 610 $aItalian art. 610 $aItalian film. 610 $aItalian literature. 610 $aMonica Stambrini. 610 $aPaolo Sorrentino. 610 $aSimona Vinci. 610 $aTiziano Scarpa. 610 $aanger. 610 $aindignation. 610 $aliterary criticism. 610 $amodern Italian cinema. 610 $apassion. 610 $aresistance literature. 615 0$aMotion pictures$xHistory 676 $a853/.9209353 700 $aLucamante$b Stefania, $4aut$4http://id.loc.gov/vocabulary/relators/aut$0167233 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910815176203321 996 $aRighteous Anger in Contemporary Italian Literary and Cinematic Narratives$93974961 997 $aUNINA