LEADER 03416nam 2200661Ia 450 001 9910815056903321 005 20200520144314.0 010 $a1-4384-2858-8 010 $a1-4416-2720-0 024 7 $a10.1515/9781438428581 035 $a(CKB)1000000000816871 035 $a(OCoLC)488648927 035 $a(CaPaEBR)ebrary10574050 035 $a(SSID)ssj0000344194 035 $a(PQKBManifestationID)11248856 035 $a(PQKBTitleCode)TC0000344194 035 $a(PQKBWorkID)10308196 035 $a(PQKB)10676681 035 $a(MiAaPQ)EBC3407189 035 $a(Au-PeEL)EBL3407189 035 $a(CaPaEBR)ebr10574050 035 $a(DE-B1597)683176 035 $a(DE-B1597)9781438428581 035 $a(EXLCZ)991000000000816871 100 $a20090213d2009 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aVampire god $ethe allure of the undead in Western culture /$fMary Y. Hallab 205 $a1st ed. 210 $aAlbany $cSUNY Press$d2009 215 $a1 online resource (181 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a1-4384-2859-6 320 $aIncludes bibliographical references and index. 327 $aVampires and science -- Vampires and society -- Vampires and psychology: body, soul, and self -- The religious vampire: reason, romantics, and Victorians -- The religious vampire: the twentieth century -- The vampire god: nature and the numinous. 330 $aIt seems we're awash in vampires these days, in everything from movies, television shows, and novels to role-playing games, rock bands, and breakfast cereals. But what accounts for their enduring popular appeal? In Vampire God, Mary Y. Hallab examines the mythic figure of the vampire from its origins in early Greek and Slavic folklore, its transformation by Romantics like Byron, Le Fanu, and Stoker, and its diverse representations in present-day popular culture. The allure of the vampire, Hallab argues, lies in its persistent undeadness, its refusal to accept its mortal destiny of death and decay. Vampires appeal to our fear of dying and our hope for immortality, and as a focus for our doubts and speculations, vampire literature offers answers to many of our most urgent questions about the meaning of death, the nature of the human soul, and its possible survival after bodily dissolution. Clearly written, with wry humor, Vampire God is a thoroughly researched, ambitious study that draws on cultural, anthropological, and religious perspectives to explore the significance and function of the vampire in relation to the scientific, social, psychological, and religious beliefs of its time and place. 606 $aVampires in literature 606 $aVampire films 606 $aVampires on television 606 $aFolk literature$xHistory and criticism 606 $aFantasy fiction$xHistory and criticism 615 0$aVampires in literature. 615 0$aVampire films. 615 0$aVampires on television. 615 0$aFolk literature$xHistory and criticism. 615 0$aFantasy fiction$xHistory and criticism. 676 $a809.3/9375 700 $aHallab$b Mary Y.$f1940-$01636311 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910815056903321 996 $aVampire god$93977516 997 $aUNINA