LEADER 03537nam 2200601 450 001 9910814957003321 005 20170822144720.0 010 $a1-78238-643-2 024 7 $a10.1515/9781782386438 035 $a(CKB)3710000000431059 035 $a(EBL)1707837 035 $a(SSID)ssj0001519618 035 $a(PQKBManifestationID)12576790 035 $a(PQKBTitleCode)TC0001519618 035 $a(PQKBWorkID)11523400 035 $a(PQKB)10769462 035 $a(MiAaPQ)EBC1707837 035 $a(DE-B1597)636183 035 $a(DE-B1597)9781782386438 035 $a(EXLCZ)993710000000431059 100 $a20150624h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aMarxism and film activism $escreening alternative worlds /$fedited by Ewa Mazierska and Lars Kristensen 210 1$aNew York ;$aOxford, [England] :$cBerghahn,$d2015. 210 4$dİ2015 215 $a1 online resource (290 p.) 300 $aDescription based upon print version of record. 311 $a1-78238-642-4 320 $aIncludes bibliographical references at the end of each chapters, filmographies and index. 327 $aMarxism and Film Activism; Contents; Figures; Introduction; Part I - Past Activism; Chapter 1 - Between Socialist Modernization and Cinematic Modernism: The Revolutionary Politics of Aesthetics of Medvedkin's Cinema-Train; Chapter 2 - Politics and Aesthetics within Godard's Cinema; Chapter 3 - Marker, Activism and Melancholy: Reflections on the Radical '60s in the Later Films of Chris Marker; Chapter 4 - Marx Immemorial: Workers and Peasants in the Cinema of Jean-Marie Straub and Danie?le Huillet; Chapter 5 - In the Heat of the Factory: The Global Fires of The Hour of the Furnaces 327 $aPart II - Present ActivismChapter 6 - Contemporary Political Cinema: The Impossibility of Passivity; Chapter 7 - Cultural Resistance through Film: The Case of Palestinian Cinema; Chapter 8 - The Contemporary Landscape of Video-Activism in Britain; Chapter 9 - Marxist Resistance at Bicycle Speed: Screening the Critical Mass Movement; Chapter 10 - Swallowing Time: On the Immaterial Labour of the Video Blogger; Chapter 11 - Recovering the Future: Marxism and Film Audiences; Contributors; Index 330 $a In Theses on Feuerbach, Marx writes ""The philosophers have only interpreted the world differently; the point is to change it."" This collection examines how filmmakers have tried to change the world by engaging in emancipatory politics in their work, and how audiences have received them. It presents a wide spectrum of case studies, covering both film and digital technology, with examples from throughout cinematic history and around the world, including Soviet Russia, Palestine, South America, and France. Discussions range from the classic Marxist cinema of Aleksandr Medvedkin, Chris Marker, 606 $aMotion pictures$xPolitical aspects 606 $aMotion pictures$xSocial aspects 606 $aCommunism and motion pictures 615 0$aMotion pictures$xPolitical aspects. 615 0$aMotion pictures$xSocial aspects. 615 0$aCommunism and motion pictures. 676 $a791.43658 686 $aAP 47000$2rvk 702 $aMazierska$b Ewa 702 $aKristensen$b Lars Lyngsgaard Fjord 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814957003321 996 $aMarxism and film activism$94068267 997 $aUNINA