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100   $a20110225d2011      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aPost-9/11 cinema $ethrough a lens darkly /$fJohn Markert
205   $a1st ed.
210   $aLanham, Md. $cScarecrow Press, Inc.$d2011
215   $a1 online resource (393 p.)
300   $aDescription based upon print version of record.
311   $a0-8108-8134-9 
320   $aIncludes bibliographical references and index.
327   $aIntroduction -- Cinema simplicity : heroes and villains -- The cinematic dialectic : movies begin to debate the war(s) -- The dialectic rages on : documentary films 2006-2010 -- Fictional features belatedly appear -- Conclusion.
330   $aCovering cinematic portrayals of 9/11 and the subsequent incursions into Iraq and Afghanistan, Post-9/11 Cinema: Through a Lens Darkly examines both dramas and documentaries that depict what some have termed ""Bush's war,"" as well as rebuttal films, films about terrorist activities, and films seen from the vantage point of journalists and military personnel. This book not only shows how motion pictures reflect societal values but also how such works can influence social attitudes and th
606   $aMotion pictures$zUnited States$xHistory$y21st century
606   $aMotion pictures$xPolitical aspects$zUnited States
606   $aWar films$zUnited States$xHistory and criticism
606   $aSeptember 11 Terrorist Attacks, 2001$xInfluence
615  0$aMotion pictures$xHistory
615  0$aMotion pictures$xPolitical aspects
615  0$aWar films$xHistory and criticism.
615  0$aSeptember 11 Terrorist Attacks, 2001$xInfluence.
676   $a791.43/658
700   $aMarkert$b John$f1945-$01676272
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910814886103321
996   $aPost-9$94042366
997   $aUNINA