LEADER 03167nam 2200553I 450 001 9910814873003321 005 20190315113333.0 010 $a1-78769-899-8 010 $a1-78769-897-1 035 $a(CKB)4100000007745687 035 $a(MiAaPQ)EBC5722904 035 $a(UtOrBLW)9781787698970 035 $a(EXLCZ)994100000007745687 100 $a20190315d2019 uy 0 101 0 $aeng 135 $aurun||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aGender and contemporary horror in film /$fedited by Samantha Holland, Robert Shail, and Steven Gerrard 205 $a1st ed. 210 1$aBingley, United Kingdom :$cEmerald Publishing Limited,$d[2019] 210 4$dİ2019 215 $a1 online resource (272 pages) 225 0 $aEmerald studies in popular culture and gender 300 $aIncludes index. 311 $a1-78769-900-5 311 $a1-78769-898-X 327 $aPrelims -- Introduction -- Bodies -- Boundaries -- Captivity -- Index. 330 $aThe horror genre will always remain current because it reflects our anxieties, shining a light onto our worst fears whilst creating worlds defined by darkness. Horror as a genre has always engaged with era-specific societal mores and moral panics, often about isolation or abandonment, changing family values and the role of women. It is often specifically about how gender is constructed in everyday life. Women are commonly defined in horror by their passivity, or monstrosity/sexuality or victimhood - or a mix of the three. At the same time women in horror are forced into psychological and physical torture ending in violent showdowns in which they emerge damaged but triumphant.Bringing together research from a wide range of established and emerging scholars this edited collection provides an insight into how modern horror films portray femininities, sexualities, masculinities, ageing, and other current issues, exploring the use of vampires, zombies, werewolves and ghosts in films made internationally. This volume, one of three by the same editorial team examining the horror genre, focuses on gender and contemporary horror in film, asking questions about how and if representations of gender in horror have changed. In these readings and re-readings, the authors examine developments in films about vampires, zombies, werewolves and ghosts, in films made internationally. 410 0$aEmerald studies in popular culture and gender. 606 $aHorror films$xHistory and criticism 606 $aSex role in motion pictures 606 $aSocial Science$xGender Studies$2bisacsh 606 $aTV & society$2bicssc 615 0$aHorror films$xHistory and criticism. 615 0$aSex role in motion pictures. 615 7$aSocial Science$xGender Studies. 615 7$aTV & society. 676 $a791.436164 702 $aHolland$b Samantha 702 $aShail$b Robert 702 $aGerrard$b Steven 801 0$bUtOrBLW 801 1$bUtOrBLW 906 $aBOOK 912 $a9910814873003321 996 $aGender and contemporary horror in film$93980753 997 $aUNINA