LEADER 02455nam 2200517 a 450 001 9910814835403321 005 20230801230218.0 010 $a988-220-874-6 035 $a(CKB)2670000000328626 035 $a(EBL)1115447 035 $a(OCoLC)827208611 035 $a(SSID)ssj0000906487 035 $a(PQKBManifestationID)11484661 035 $a(PQKBTitleCode)TC0000906487 035 $a(PQKBWorkID)10931459 035 $a(PQKB)10533345 035 $a(MiAaPQ)EBC1115447 035 $a(Au-PeEL)EBL1115447 035 $a(CaPaEBR)ebr10649534 035 $a(EXLCZ)992670000000328626 100 $a20130207e20121971 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Chinese literati on painting$b[electronic resource] $eSu Shih (1037-1101) to Tung Ch'i-Ch'ang (1555-1636) /$fSusan Bush 205 $a[2nd ed.?]. 210 $aHong Kong $cHong Kong University Press$d2012 215 $a1 online resource (244 p.) 300 $aFirst edition published by the Harvard-Yenching Institute, 1971. 311 $a988-8139-70-3 320 $aIncludes bibliographical references and index. 327 $aContents; Preface to the Second Edition; Preface to the First Edition; Illustrations; Abbreviations; 1. Northern Sung (960-1127); 2. The Views of Northern Sung Literati; 3. Chin (1122-1234) and Southern Sung (1127-1260); 4. Yu?an (1260-1368); 5. Ming (1368-1644); 6. Conclusion; Chinese Texts; Bibliography; Glossary; Index 330 $aThis classic work, first published in 1971, explores the transition in painting styles from the late Sung period to the art of Yuan dynasty literati. Building on the pioneering work of Oswald Siren and James Cahill, Susan Bush's investigations of painting done under the Chin dynasty confirmed the dominance of scholar-artists in the north and their gradual development of scholarly painting traditions, and a related study of Northern Sung writings showed that their theory was shaped as much by the views of their social class as by their artistic aims. Bush's perspective on Sung scholars' art and 606 $aPainting, Chinese 615 0$aPainting, Chinese. 676 $a759.951 700 $aBush$b Susan$0674766 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814835403321 996 $aThe Chinese literati on painting$94043168 997 $aUNINA