LEADER 04512oam 2200685I 450 001 9910814789303321 005 20240516211131.0 010 $a1-280-77645-5 010 $a9786613686848 010 $a1-136-31919-0 010 $a0-203-12012-4 010 $a1-136-31920-4 024 7 $a10.4324/9780203120125 035 $a(CKB)2670000000205701 035 $a(EBL)981803 035 $a(OCoLC)796932333 035 $a(SSID)ssj0000691781 035 $a(PQKBManifestationID)11403379 035 $a(PQKBTitleCode)TC0000691781 035 $a(PQKBWorkID)10635075 035 $a(PQKB)10563844 035 $a(MiAaPQ)EBC981803 035 $a(Au-PeEL)EBL981803 035 $a(CaPaEBR)ebr10572265 035 $a(CaONFJC)MIL368684 035 $a(OCoLC)796803840 035 $a(EXLCZ)992670000000205701 100 $a20180706d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aNarrating objects, collecting stories $eessays in honour of professor Susan M. Pearce /$fedited by Sandra H. Dudley. [et al.] 205 $a1st ed. 210 1$aMilton Park, Abingdon ;$aNew York, N.Y. :$cRoutledge,$d2012. 215 $a1 online resource (305 p.) 300 $aDescription based upon print version of record. 311 $a0-415-69271-7 320 $aIncludes bibliographical references and index. 327 $aCover; Title; Copyright; Dedication; Contents; List of illustrations; List of contributors; Preface; 1 Introduction: objects, collectors and representations; PART I The mutuality between objects and persons; 1 Introduction; 2 String-figure making: processes of objectification and embodiment; 3 The material culture of conflict: artefacts in the Museum of Free Derry, Northern Ireland; 4 Using souvenirs to rethink how we tell histories of migration: some thoughts; PART II Object meanings in context; Introduction; 5 What the Water Has Given Me: Frida Kahlo's postcolonial map of Mexico 327 $a6 On ornament and hygiene. Modernity in the domestic space of a Brazilian capital: Sa?o Paulo, 1870-19207 Three stones, one landscape, many stories: cultural biography and the early medieval sculptures of Inchyra and St Madoes, Carse of Gowrie, Perthshire, Scotland; 8 Becoming ancient ruins: monastic remains as 'facts on the ground'; PART III Collectors and collecting in focus; Introduction; 9 An actor-network perspective on collecting and collectables; 10 Collecting and displaying identity, intimacy and memory in the staged interiors of the royal couturier Norman Hartnell 327 $a11 Designing a political space12 Charles Bell's collection of 'curios': acquisitions and encounters during a Himalayan journey; 13 'He knows me ... but not at the museum': women, natural history collecting and museums, 1880-1914; PART IV Representational and narrative strategies; Introduction; 14 Errors in translation: the uses of reconstructions in ethnographic fieldwork; 15 Objects of subversion: contested spaces, competing stories and the material culture of motoring; 16 Public displays of private collections: presenting the collection of Eleni Stathatos to the museum visitor 327 $a17 People and their things: integrating archaeological theory into prehistoric Aegean museum displaysEpilogue: the recognition of Aboriginal art and the building of collections; Index 330 $aNarrating Objects, Collecting Stories is a wide-ranging collection of essays exploring the stories that can be told about objects and those who choose to collect them. Examining objects and collecting in different historical, social and institutional contexts, an international, interdisciplinary group of authors consider the meanings and values with which objects are imputed and the processes and implications of collecting. This includes considering the entanglement of objects and collectors alike in webs of social relations, the creation of value and social change; object biograph 606 $aCollectors and collecting$xPhilosophy 606 $aMuseums$xPhilosophy 615 0$aCollectors and collecting$xPhilosophy. 615 0$aMuseums$xPhilosophy. 676 $a069.4 676 $a790.13201 701 $aDudley$b Sandra H$01718356 701 $aPearce$b Susan M$01100860 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814789303321 996 $aNarrating objects, collecting stories$94115246 997 $aUNINA