LEADER 01218nam2-2200373---450- 001 990005983980203316 005 20141124112744.0 010 $a978-88-348-7867-5 035 $a000598398 035 $aUSA01000598398 035 $a(ALEPH)000598398USA01 035 $a000598398 100 $a20141124d2013----km-y0itay50------ba 101 $aita 102 $aIT 105 $a||||||||001yy 200 1 $aRiflessioni in tema di dignitą umana, bilanciamento e propaganda razzista$fAlessandro Tesauro 210 $aTorino$cGiapphichelli,$d2013 215 $aVI, 202 p$d24 cm 225 2 $aItinerari di diritto penale$v19 410 0$aItinerari di diritto penale$v, 19 461 1$1001000312266$12001 606 0 $aDiscriminazione$xDiritto penale$2BNCF 676 $a345.450256 700 1$aTESAURO,$bAlessandro <1967- >$0572838 801 0$aIT$bsalbc$gISBD 912 $a990005983980203316 951 $aXXVI.1. Coll. 1/ 226$b81207 G.$cXXVI.1. Coll.$d359507 959 $aBK 969 $aGIU 979 $aCHIARA$b90$c20141124$lUSA01$h1125 979 $aCHIARA$b90$c20141124$lUSA01$h1127 996 $aRiflessioni in tema di dignitą umana, bilanciamento e propaganda razzista$91079846 997 $aUNISA LEADER 02572nam 2200529 450 001 9910814786703321 005 20230803035015.0 010 $a1-4081-1652-9 010 $a1-4742-6102-7 010 $a1-4081-4968-0 035 $a(CKB)3710000000128603 035 $a(EBL)1715656 035 $a(MiAaPQ)EBC1715656 035 $a(Au-PeEL)EBL1715656 035 $a(CaPaEBR)ebr10883873 035 $a(CaONFJC)MIL618578 035 $a(OCoLC)881607271 035 $a(MiAaPQ)EBC6163038 035 $a(EXLCZ)993710000000128603 100 $a20140626e20132004 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 10$aSinging and the actor /$fGillyanne Kayes 205 $aSecond edition. 210 1$aLondon, England ;$aNew York, New York :$cBloomsbury Methuen Drama,$d2013. 210 4$d©2004 215 $a1 online resource (209 p.) 300 $aIncludes indexes. 311 $a1-306-87327-4 311 $a0-7136-6823-7 327 $aCover; Contents; Acknowledgements; Foreword; Section 1: HOW THE VOICE WORKS; 1 How do I make the notes?; 2 My voice won''t come out at auditions; 3 But I thought I wasn''t supposed to feel anything!; 4 What exactly is support?; Section 2: TRAINING YOUR VOICE; 5 Developing the three octave siren; 6 The nasal port; 7 Dynamic control and projection; 8 Tuning the oral resonator; 9 Twang, the singer''s formant; Section 3: WORKING THE TEXT; 10 Putting it together; 11 Singing the text; 12 Creating voice qualities; 13 The act of singing; Afterword; Glossary; A; B; C; F; G; H; I; L; M; N; O; P; R; S 327 $aVList of exercises and song assignments; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; V; W; Index of song titles 330 $a

Classical singing training is no longer relevant for the theatre performer today. So how does an actor train his singing voice?

Now in its second edition, this practical handbook takes the reader through a step-by-step training programme relevant to the modern singing actor and dancer. A variety of contemporary voice qualities including belting and twang are explained, with exercises for each topic.

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