LEADER 05053nam 2200733Ia 450 001 9910814770303321 005 20200520144314.0 010 $a1-136-80045-X 010 $a1-138-81056-8 010 $a0-203-82731-7 010 $a1-136-80046-8 024 7 $a10.4324/9780203827314 035 $a(CKB)2550000001112504 035 $a(EBL)683983 035 $a(OCoLC)870243923 035 $a(SSID)ssj0001075274 035 $a(PQKBManifestationID)11604837 035 $a(PQKBTitleCode)TC0001075274 035 $a(PQKBWorkID)11213306 035 $a(PQKB)11564050 035 $a(MiAaPQ)EBC683983 035 $a(Au-PeEL)EBL683983 035 $a(CaPaEBR)ebr10752022 035 $a(CaONFJC)MIL512384 035 $a(OCoLC)958106936 035 $a(EXLCZ)992550000001112504 100 $a20021204d2003 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aBalinese discourses on music and modernization $evillage voices and urban views /$fBrita Renee Heimarck 205 $a1st ed. 210 $aNew York $cRoutledge$d2003 215 $a1 online resource (395 p.) 225 0 $aCurrent research in ethnomusicology ;$vv. 5 300 $aDescription based upon print version of record. 311 $a0-415-94208-X 311 $a1-299-81133-7 320 $aIncludes bibliographical references (p. 343-361) and index. 327 $aCover ; BALINESE DISCOURSES ON MUSIC AND MODERNIZATION VILLAGE VOICES AND URBAN VIEWS ; Copyright ; Contents ; List of Figures ; List of Tables ; List of Plates ; Preface; Acknowledgments; Introduction ; PART ONE Musical Discourses from Sukawati: The Transition from Traditional to Modern 327 $aCHAPTER ONE Historical Accounts of the Shadow Play Tradition in Banjar Babakan, Sukawati CHAPTER TWO Bapak I Wayan Loceng: Proverbs, Metaphors, and Musical Techniques ; CHAPTER THREE Interviews with the Young Generation of Shadow Play Performers in Banjar Babakan, Sukawati 327 $aPART TWO Musical Discourses in the Context of STSI, the Indonesian College for the Arts in Denpasar, Bali: STSI as a Mirror of Modernization Based on Continuity and Change CHAPTER FOUR The Practices and Principles of STSI: Preservation and Development of Balinese Arts 327 $aCHAPTER FIVE STSI and Scholarship: Balinese Written Discourses on Music and the Shadow Play CHAPTER SIX The Political Role of STSI: Indonesian Cultural Diplomacy and Cultural Policy ; Conclusion 327 $aAPPENDIX 1: Original Indonesian Text of Interviews, Accounts, Dialogues, and Conversations with Scholars and Performers from Sukawati APPENDIX 2: KEY TO THE NOTATION AND MUSICAL TRANSCRIPTION OF ""SULENDRA"" 327 $aAPPENDIX 3: Original Indonesian Text of Interviews, Accounts, Dialogues, and Conversations with Faculty and Students at STSI as well as Brief Citations of Balinese Written Discourses 330 $aWhile many Western scholars have discussed the technical aspects of Balinese music or the traditional contexts for performance, little has been written in Western languages about Balinese discourses on their music. This dissertation seeks to understand the experience of music in Bali according to Balinese voices through an analysis of oral and written dialogues on music, mainly by musicians and dalangs (shadow play puppeteers) from the village of Sukawati, scholars, teachers, administrators and students from the Indonesian College of the Arts (STSI) in the City of Denpasar. The study examines 410 0$aCurrent research in ethnomusicology (Unnumbered) ;$vVolume 5. 606 $aMusic$zIndonesia$zBali (Province)$xHistory and criticism 606 $aMusicians$zIndonesia$zBali (Province)$vInterviews 606 $aWayang 615 0$aMusic$xHistory and criticism. 615 0$aMusicians 615 0$aWayang. 676 $a780/.9598/6 700 $aHeimarck$b Brita Renee$f1962-$01597146 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814770303321 996 $aBalinese discourses on music and modernization$93918798 997 $aUNINA