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200 10$aWhich face of witch $eself-representations of women as witches in works of contemporary British women writers /$fAdriana Madej-Stang
210  1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015.
210  4$dİ2015
215   $a1 online resource (269 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-7453-1 
320   $aIncludes bibliographical references and index.
327   $aTABLE OF CONTENTS; PREFACE; PART I; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; PART II; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; PART III; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CONCLUSION; BIBLIOGRAPHY; INDEX
330   $aFor centuries, the figure of the witch represented the hostile and feared ""other"" on the edge of human society, placed ""in between"" the world of people and the world of demons. Whether she stood for the untamed powers of nature, dark powers of knowledge or magic, or evil powers derived from the devil, she was always identified with fear as a disturbance, as a danger to the order of society and to the well-being of those who understood themselves as settled within the borders of the patriarcha...
606   $aWitches in literature
606   $aEnglish fiction$xWomen authors$xHistory and criticism
615  0$aWitches in literature.
615  0$aEnglish fiction$xWomen authors$xHistory and criticism.
676   $a813.01030837
700   $aMadej-Stang$b Adriana$01593529
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910814699103321
996   $aWhich face of witch$93913719
997   $aUNINA