LEADER 01022nam2 22003131i 450 001 990005123080403321 005 20180327104105.0 035 $aFED01000512308 035 $a(Aleph)000512308FED01 035 $a000512308 100 $a19990530d1996----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------00-y- 200 1 $aPoggio Imperiale a Poggibonsi$edal villaggio di capanne al castello di pietra$fa cura di Marco Valenti 210 $aFirenze$cAll'Insegna del giglio$d1996 215 $av.$c22 cm$d29 cm 327 0 $a1: Diagnostica archeologica e campagne di scavo 1991-1994 / a cura di Marco Valenti 610 0 $aScavi archeologici$aPoggibonsi 610 0 $aOggetti di scavo$aPoggibonsi$aSec. 12.-16. 676 $a945.501$v22$zita 702 1$aValenti,$bMarco 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990005123080403321 952 $a945.501 VAL 1$bBibl.21330$fFLFBC 959 $aFLFBC 996 $aPOGGIO imperiale a Poggibonsi$9490463 997 $aUNINA LEADER 03295nam 2200721 450 001 9910814652903321 005 20230725030721.0 010 $a9781921507373$belectronic book 010 $a1921507373 035 $a(CKB)2670000000069658 035 $a(EBL)635517 035 $a(OCoLC)722444368 035 $a(SSID)ssj000095748 035 $a(PQKBManifestationID)11498901 035 $a(PQKBTitleCode)TC0000957484 035 $a(PQKBWorkID)10981106 035 $a(PQKB)10585886 035 $a(SSID)ssj0000673160 035 $a(PQKBManifestationID)11449572 035 $a(PQKBTitleCode)TC0000673160 035 $a(PQKBWorkID)10643754 035 $a(PQKB)11136988 035 $a(MiAaPQ)EBC635517 035 $a(Au-PeEL)EBL635517 035 $a(CaPaEBR)ebr10500235 035 $a(CaONFJC)MIL331937 035 $a(EXLCZ)992670000000069658 100 $a20111025d2011 uy 0 101 0 $aeng 135 $aurcn#nnn||||| 181 $ctxt$2rdacontent 181 $csti$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aTerrorism and national security /$fedited by Justin Healey 210 $aThirroul, N.S.W. $cSpinney Press$d2011 215 $a1 online resource (60 pages) $ccolour illustrations 225 1 $aIssues in society ;$vv. 321 311 $a1-921507-32-2 320 $aIncludes bibliographical references and index. 327 $aChapter 1. National security and counter-terrorism in Australia -- Chapter 2. Anti-terrorism laws -- Chapter 3. Australia's defence and security interests. 330 $aAccording to the federal government, the threat of terrorism on Australian soil is real and enduring, and has become a persistent and permanent feature of Australia's security environment. The main source of international terrorism and the primary terrorist threat to Australia is considered to be from a global militant jihadist movement, including violent extremists such as al-Qa'ida. Is terrorism really a significant threat to the Australian community, or are unprecedented government intelligence and policing powers and counter-terrorism laws of greater concern? What are the risks of terrorist attack from either foreign or domestically based threats? 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Solie 205 $a1st ed. 210 $aBerkeley $cUniversity of California Press$d2004 215 $a1 online resource (235 p.) 225 1 $aCalifornia studies in 19th-century music ;$v12 225 0$aCalifornia studies in 19th century music ;$v12 300 $aIncludes index. 311 08$a9780520238459 311 08$a0520238451 320 $aIncludes bibliographical references and index. 327 $aBeethoven as secular humanist : ideology and the Ninth symphony in 19th-century criticism -- Music in a Victorian mirror : MacMillan's magazine in the Grove years -- "Girling" at the parlor piano -- Biedermeier domesticity and the Schubert circle : a rereading -- Tadpole pleasures" : George Eliot's Daniel Deronda as music historiography -- Fictions of the opera box. 330 $aJust as the preoccupations of any given cultural moment make their way into the language of music, the experience of music makes its way into other arenas of life. To unearth these overlapping meanings and vocabularies from the Victorian era, Ruth A. Solie examines sources as disparate as journalism, novels, etiquette manuals, religious tracts, and teenagers' diaries for the muffled, even subterranean, conversations that reveal so much about what music meant to the Victorians. Her essays, giving voice to "what goes without saying" on the subject-that cultural information so present and pervasive as to go unsaid-fill in some of the most intriguing blanks in our understanding of music's history. This much-anticipated collection, bringing together new and hard-to-find pieces by an acclaimed musicologist, mines the abundant casual texts of the period to show how Victorian-era people-English and others-experienced music and what they understood to be its power and its purposes. Solie's essays start from topics as varied as Beethoven criticism, Macmillan's Magazine, George Eliot's Daniel Deronda, opera tropes in literature, and the Victorian myth of the girl at the piano. 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