LEADER 03655nam 2200697 a 450 001 9910814642003321 005 20230721020113.0 010 $a1-282-66580-4 010 $a9786612665806 010 $a1-4008-3362-0 024 7 $a10.1515/9781400833627 035 $a(CKB)2670000000035012 035 $a(EBL)557129 035 $a(OCoLC)650307370 035 $a(SSID)ssj0000413114 035 $a(PQKBManifestationID)11299759 035 $a(PQKBTitleCode)TC0000413114 035 $a(PQKBWorkID)10369598 035 $a(PQKB)10124179 035 $a(MiAaPQ)EBC557129 035 $a(MdBmJHUP)muse36568 035 $a(DE-B1597)446695 035 $a(OCoLC)979577115 035 $a(DE-B1597)9781400833627 035 $a(Au-PeEL)EBL557129 035 $a(CaPaEBR)ebr10402716 035 $a(CaONFJC)MIL266580 035 $a(EXLCZ)992670000000035012 100 $a20100918d2009 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aBrahms and his world /$fedited by Walter Frisch and Kevin C. Karnes 205 $aRev. ed. 210 $aPrinceton, N.J. $cPrinceton University Press$d2009 215 $a1 online resource (xiv, 461 pages) 225 0 $aThe Bard Music Festival ;$v20 300 $aDescription based upon print version of record. 311 $a0-691-14343-9 311 $a0-691-14344-7 320 $aIncludes bibliographical references and index. 327 $apt. 1. Essays -- pt. 2. Reception and analysis -- pt. 3. Memoirs -- pt. 4. 330 $aSince its first publication in 1990, Brahms and His World has become a key text for listeners, performers, and scholars interested in the life, work, and times of one of the nineteenth century's most celebrated composers. In this substantially revised and enlarged edition, the editors remain close to the vision behind the original book while updating its contents to reflect new perspectives on Brahms that have developed over the past two decades. To this end, the original essays by leading experts are retained and revised, and supplemented by contributions from a new generation of Brahms scholars. Together, they consider such topics as Brahms's relationship with Clara and Robert Schumann, his musical interactions with the "New German School" of Wagner and Liszt, his influence upon Arnold Schoenberg and other young composers, his approach to performing his own music, and his productive interactions with visual artists. The essays are complemented by a new selection of criticism and analyses of Brahms's works published by the composer's contemporaries, documenting the ways in which Brahms's music was understood by nineteenth- and early twentieth-century audiences in Europe and North America. A new selection of memoirs by Brahms's friends, students, and early admirers provides intimate glimpses into the composer's working methods and personality. And a catalog of the music, literature, and visual arts dedicated to Brahms documents the breadth of influence exerted by the composer upon his contemporaries. 410 0$aBard Music Festival series 606 $aMusical analysis 606 $aMUSIC / History & Criticism$2bisacsh 615 0$aMusical analysis. 615 7$aMUSIC / History & Criticism. 676 $a780.92 701 $aFrisch$b Walter$0767587 701 $aKarnes$b Kevin C$01660140 712 12$aBard Music Festival. 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814642003321 996 $aBrahms and his world$94015167 997 $aUNINA