LEADER 03036nam 2200565 450 001 9910814578703321 005 20230803035849.0 010 $a1-4438-6631-8 035 $a(CKB)3710000000230390 035 $a(EBL)1780270 035 $a(SSID)ssj0001410866 035 $a(PQKBManifestationID)11838514 035 $a(PQKBTitleCode)TC0001410866 035 $a(PQKBWorkID)11378837 035 $a(PQKB)11230750 035 $a(Au-PeEL)EBL1780270 035 $a(CaPaEBR)ebr10928525 035 $a(CaONFJC)MIL640982 035 $a(OCoLC)890146902 035 $a(MiAaPQ)EBC1780270 035 $a(EXLCZ)993710000000230390 100 $a20140920h20132013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aFilm landscapes $ecinema, environment and visual culture /$fedited by Graeme Harper and Jonathan Rayner 210 1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2013. 210 4$dİ2013 215 $a1 online resource (249 p.) 300 $aDescription based upon print version of record. 311 $a1-322-09731-3 311 $a1-4438-4372-5 320 $aIncludes bibliographical references. 327 $aCONTENTS; LIST OF ILLUSTRATIONS; CONTRIBUTORS; INTRODUCTION; SECTION I: FILMED LANDSCAPES AND CINEMATIC IDENTITIES; CHAPTER ONE - IN PRAISE OF THE INAUTHENTIC; CHAPTER TWO - TERROR FIRMA; CHAPTER THREE - COLONIAL DREAMS; SECTION II: AUTHORED AND CONSTRUCTED LANDSCAPES; CHAPTER FOUR - COUPLE WITH CLOUDS IN THEIR HEADS; CHAPTER FIVE - LOOKING FOR SHELL BEACH; CHAPTER SIX - LANDSCAPES OF DISASTER; SECTION III: ABJECT, HORRIFIC AND SUBLIME LANDSCAPES; CHAPTER SEVEN - AN AGE OF STUPID?; CHAPTER EIGHT - LANDSCAPE, SPECTACLE AND SUBJECTIVITY 327 $aCHAPTER NINE - LYNCHIAN LANDSCAPES AND THE LEGACY OF THE AMERICAN SUBLIME SECTION IV: COMMUNICABLE ENVIRONMENTS, CONTESTABLE SPACES; CHAPTER TEN - FIGURING LANDSCAPES IN AUSTRALIAN ARTISTS'' FILM AND VIDEO; CHAPTER ELEVEN - THE ANIMATED LANDSCAPE; CHAPTER TWELVE - "SHEFFIELD FILM STUDIES AND SHEFFIELD STUDIES FILM"; POSTSCRIPT - SYNAPTIC LANDSCAPES; FILMOGRAPHY; BIBLIOGRAPHY 330 $aThis book brings together critical and theoretical essays examining the connections between films and landscapes. It showcases the work of established and emerging academics whose research probes the complex relationships between moving images and the filmed environment, and accounts for the impactful effects of viewing lived spaces and human places on screen. The essays in this collection actively engage with examples of contemporary popular and art cinema, genre films and auteur canon, his... 606 $aMotion pictures$xAesthetics 615 0$aMotion pictures$xAesthetics. 676 $a791.4301 702 $aHarper$b Graeme 702 $aRayner$b Jonathan 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814578703321 996 $aFilm landscapes$94045835 997 $aUNINA