LEADER 02990nam 2200577 a 450 001 9910814544903321 005 20240418060253.0 010 $a0-8166-0551-3 035 $a(CKB)1000000000487193 035 $a(SSID)ssj0000170231 035 $a(PQKBManifestationID)11178773 035 $a(PQKBTitleCode)TC0000170231 035 $a(PQKBWorkID)10215862 035 $a(PQKB)11258832 035 $a(OCoLC)233167103 035 $a(MdBmJHUP)muse39273 035 $a(Au-PeEL)EBL345393 035 $a(CaPaEBR)ebr10231312 035 $a(CaONFJC)MIL523090 035 $a(OCoLC)476161765 035 $a(MiAaPQ)EBC345393 035 $a(EXLCZ)991000000000487193 100 $a20690507d1969 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHemingway $ethe writer's art of self-defense /$fJackson J. Benson 205 $a1st ed. 210 $aMinneapolis $cUniversity of Minnesota Press$d[1969] 215 $ax, 202 pages 300 $aBibliographic Level Mode of Issuance: Monograph 311 0 $a0-8166-0510-6 311 0 $a0-8166-6148-0 320 $aIncludes bibliographical references and index. 327 $aIntro -- TABLE OF CONTENTS -- THE TERMS OF THE STRUGGLE -- ROLES AND THE MASCULINE WRITER -- DARK LAUGHTER -- GAME: A STRUCTURE FOR EMOTIONAL CONTROL -- LEARNING TO PLAY THE GAME WELL -- CONTROL AND LOSS OF CONTROL THROUGH IRONY -- SUFFERING AND LOSS WITHOUT TEARS -- THE ROAD FROM SELF -- THE MASK OF HUMBLE PERFECTION -- LET BE BE FINALE OF SEEM -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y. 330 $aIn a close critical analysis of five of Ernest Hemingway's novels and a number of his most important short stories, Professor Benson provides a fascinating new view of his work. The novels discussed are The Sun Also Rises, A Farewell to Arms, For Whom the Bell Tolls, Across the River and into the Trees, and the Old Man and the Sea. Hemingway's art of self-defense, which Professor Benson refers to in his subtitle, was, as he demonstrates in his perceptive criticism, the writer's use of style and technique to attack the sentimentalities which were Hemingway's own weakness. Emotion was central to the task which Hemingway defined for himself, Professor Benson explains, and a critical appraisal of his work must, therefore, focus particularly on the ways in which he dealt with and expressed emotion. 606 $aPsychological fiction, American$xHistory and criticism 606 $aSelf in literature 615 0$aPsychological fiction, American$xHistory and criticism. 615 0$aSelf in literature. 676 $a813/.5/2 700 $aBenson$b Jackson J$01643128 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814544903321 996 $aHemingway$93988183 997 $aUNINA