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100   $a20140818d2013      uy|            0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aSocrates and Dionysus $ephilosophy and art in dialogue /$fedited by Ann Ward
210  1$aCambridge :$cCambridge Scholars Publishing,$d2013.
215   $a1 online resource (279 p.)
300   $aDescription based upon print version of record.
311   $a1-322-05162-3 
311   $a1-4438-4795-X 
320   $aIncludes bibliographical references and index.
327   $aTABLE OF CONTENTS; ACKNOWLEDGMENTS; CHAPTER ONE; PART ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; PART TWO; CHAPTER FIVE; CHAPTER SIX; PART THREE; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; PART FOUR; CHAPTER ELEVEN; CHAPTER TWELVE; CHAPTER THIRTEEN; CHAPTER FOURTEEN; CONTRIBUTORS; INDEX
330   $aSocrates and Dionysus engages and seeks to redraw the boundaries between philosophy and poetry, science and art. Friedrich Nietzsche argues in his work The Birth of Tragedy that science conquers art, especially the tragic art of the Dionysian poet of ancient Greece. Appealing to the natural, primeval self that is suppressed but not extinguished by the knowledge of culture, Dionysian tragedy establishes contact with our bodies and their deepest longings. Science and philosophy, associated with...
606   $aArt$xPhilosophy
606   $aArt and philosophy
615  0$aArt$xPhilosophy.
615  0$aArt and philosophy.
676   $a180
702   $aWard$b Ann
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910814538703321
996   $aSocrates and Dionysus$93947133
997   $aUNINA