LEADER 03174nam 2200697 a 450 001 9910814479803321 005 20240416195138.0 010 $a1-282-86350-9 010 $a9786612863509 010 $a0-7735-7285-6 024 7 $a10.1515/9780773572850 035 $a(CKB)1000000000522777 035 $a(OCoLC)244766200 035 $a(CaPaEBR)ebrary10175987 035 $a(SSID)ssj0000282900 035 $a(PQKBManifestationID)11232358 035 $a(PQKBTitleCode)TC0000282900 035 $a(PQKBWorkID)10323817 035 $a(PQKB)10898073 035 $a(CaPaEBR)407622 035 $a(CaBNvSL)slc00204680 035 $a(Au-PeEL)EBL3331628 035 $a(CaPaEBR)ebr10178277 035 $a(CaONFJC)MIL286350 035 $a(OCoLC)923230787 035 $a(VaAlCD)20.500.12592/kmjc3h 035 $a(schport)gibson_crkn/2009-12-01/4/407622 035 $a(MiAaPQ)EBC3331628 035 $a(DE-B1597)657785 035 $a(DE-B1597)9780773572850 035 $a(MiAaPQ)EBC3248667 035 $a(EXLCZ)991000000000522777 100 $a20060612d2005 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe pleasure of fools $eessays in the ethics of laughter /$fJure Gantar 205 $a1st ed. 210 $aMontreal ;$aIthaca $cMcGill-Queen's University Press$dc2005 215 $a1 online resource (204 p.) 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-7735-2892-X 320 $aIncludes bibliographical references (p. [171]-184) and index. 327 $tFront Matter -- $tContents -- $tAcknowledgments -- $tA Critical Prejudice -- $tAlternatives to Laughter -- $tTypologies of Laughter -- $tNonsense -- $tRidicule -- $tLaughter in Utopia -- $tSelf-Deprecating Laughter -- $tThe Comedian -- $tLaughter and Insult -- $tNotes -- $tBibliography -- $tIndex 330 $aThe crucial question is not whether or not there is offensive laughter but whether or not all laughter offends. Almost everyone has felt the bitter stab of malicious laughter and knows that laughter can be cruel, but it is more difficult to decide if there is also laughter that can never insult. Through a reading of Aristophanes, Rabelais, Molière, Fielding, and Rostand, Victorian nonsense poetry, and the philosophical texts of Plato, Dante, and More, Gantar explores the reasons for critics' prejudice against comedy, the specific position of laughter in various utopian societies, and self-deprecating laughter and the role of the comedian as its primary producer. His conclusions contradict basic postmodern thought and contribute to current debates on the epistemological nature of criticism. 606 $aLaughter in literature 606 $aLaughter$xMoral and ethical aspects 615 0$aLaughter in literature. 615 0$aLaughter$xMoral and ethical aspects. 676 $a809/.93353 676 $a179 700 $aGantar$b Jure$f1964-$01665808 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814479803321 996 $aThe pleasure of fools$94024657 997 $aUNINA