LEADER 03953nam 2201021 a 450 001 9910814418103321 005 20240516114313.0 010 $a1-280-10022-2 010 $a9786613520531 010 $a0-520-95011-9 024 7 $a10.1525/9780520950115 035 $a(CKB)2550000000079878 035 $a(EBL)847474 035 $a(OCoLC)774278962 035 $a(SSID)ssj0000592021 035 $a(PQKBManifestationID)11352051 035 $a(PQKBTitleCode)TC0000592021 035 $a(PQKBWorkID)10729183 035 $a(PQKB)11404048 035 $a(OCoLC)785073234 035 $a(MdBmJHUP)muse30849 035 $a(DE-B1597)519117 035 $a(DE-B1597)9780520950115 035 $a(Au-PeEL)EBL847474 035 $a(CaPaEBR)ebr10529559 035 $a(CaONFJC)MIL352053 035 $a(MiAaPQ)EBC847474 035 $a(EXLCZ)992550000000079878 100 $a20110516d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aMozart and Enlightenment semiotics$b[electronic resource] /$fStephen Rumph 205 $a1st ed. 210 $aBerkeley $cUniversity of California Press$d2012 215 $a1 online resource (284 p.) 300 $a"An Ahmanson Foundation book in the humanities"--Dust jacket. 311 $a0-520-26086-4 320 $aIncludes bibliographical references and index. 327 $aFrom rhetoric to semiotics -- The sense of touch in Don Giovanni -- Topics in context -- Mozart and Marxism -- A dubious credo -- Archaic endings. 330 $aIn this groundbreaking, historically-informed semiotic study of late eighteenth-century music, Stephen Rumph focuses on Mozart to explore musical meaning within the context of Enlightenment sign and language theory. Illuminating his discussion with French, British, German, and Italian writings on signs and language, Rumph analyzes movements from Mozart's symphonies, concertos, operas, and church music. He argues that Mozartian semiosis is best understood within the empiricist tradition of Condillac, Vico, Herder, or Adam Smith, which emphasized the constitutive role of signs within human cognition. Recognizing that the rationalist model of neoclassical rhetoric has guided much recent work on Mozart and his contemporaries, Rumph demonstrates how the dialogic tension between opposing paradigms enabled the composer to negotiate contradictions within Enlightenment thought. 606 $aMusic$y18th century$xHistory and criticism 606 $aMusic$xSemiotics 606 $aEnlightenment 610 $a18th century composers. 610 $a18th century europe. 610 $a18th century music. 610 $a18th century symphonies. 610 $abeethoven. 610 $achurch music history. 610 $aclassical composers. 610 $aclassical music. 610 $aclassical musicians. 610 $aclassical period. 610 $acomposers. 610 $aconcertos. 610 $aeuropean music. 610 $aeuropean scholars. 610 $afamous composers. 610 $afamous operas. 610 $ahistory of music. 610 $ahistory. 610 $aitalian writings. 610 $aliterary movements and periods. 610 $amusic icons. 610 $amusic scholars. 610 $amusical semiotics. 610 $amusicians. 610 $amusicology. 610 $aneoclassical music. 610 $arenaissance humanism. 610 $athe enlightenment period. 610 $atheater. 615 0$aMusic$xHistory and criticism. 615 0$aMusic$xSemiotics. 615 0$aEnlightenment. 676 $a780.92 686 $aLP 40411$2rvk 700 $aRumph$b Stephen C$01613486 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814418103321 996 $aMozart and Enlightenment semiotics$94127385 997 $aUNINA