LEADER 03621nam 2200661Ia 450 001 9910814396103321 005 20240417221639.0 010 $a1-283-58363-1 010 $a9786613896087 010 $a0-252-09379-8 035 $a(CKB)2670000000241176 035 $a(OCoLC)1157357948$z(OCoLC)809032408$z(OCoLC)809313753$z(OCoLC)810423075$z(OCoLC)817810821$z(OCoLC)923495199$z(OCoLC)961526142$z(OCoLC)962706144$z(OCoLC)988432500$z(OCoLC)991975609$z(OCoLC)1037935257$z(OCoLC)1038579911$z(OCoLC)1045537501$z(OCoLC)1055352781$z(OCoLC)1066492865$z(OCoLC)1077240916$z(OCoLC)1081282549$z(OCoLC)1083610681$z(OCoLC)1126037589 035 $a(OCoLC)on1157357948 035 $a(CaPaEBR)ebrary10593720 035 $a(SSID)ssj0000711496 035 $a(PQKBManifestationID)11400294 035 $a(PQKBTitleCode)TC0000711496 035 $a(PQKBWorkID)10682622 035 $a(PQKB)11394510 035 $a(MiAaPQ)EBC3414048 035 $a(StDuBDS)EDZ0000649246 035 $a(MdBmJHUP)muse23631 035 $a(Au-PeEL)EBL3414048 035 $a(CaPaEBR)ebr10593720 035 $a(CaONFJC)MIL389608 035 $a(OCoLC)923495199 035 $a(EXLCZ)992670000000241176 100 $a20110822d2012 ub 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aKim Ki-duk /$fHye Seung Chung 205 $a1st ed. 210 $aUrbana $cUniversity of Illinois Press$dc2012 215 $a1 online resource (177 p.) 225 0$aContemporary film directors 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-252-07841-1 311 $a0-252-03669-7 320 $aIncludes bibliographical references and index. 320 $aIncludes filmography. 327 $aBeyond "extreme": the cinema of ressentiment. Kim Ki-duk: towards a more perfect imperfection -- An auteur is born: fishhooks, critical debates, and transnational canons -- On suffering and sufferance: postcolonial pain and the "purloined letter" in Address unknown -- Reconciling the paradox of silence and apologia: Bad guy, The isle, and 3-iron -- Neofeminist revisions: female bodies and semiotic chora in Birdcage inn and Samaritan girl -- The bodhisattva inner-eye: inwardly drawn transcendence in Spring, summer, fall, winter -- and spring -- Interview with Kim Ki-duk: from Crocodile to Address unknown / by Kim So-Hee. 330 8 $aThis study investigates the controversial motion pictures written and directed by the independent filmmaker Kim Ki-duk, one of the most acclaimed Korean auteurs in the English-speaking world. Propelled by underdog protagonists who can only communicate through shared corporeal pain and extreme violence, Kim's graphic films have been classified by Western audiences as belonging to sensationalist East Asian "extreme" cinema, and Kim has been labelled a "psychopath" and "misogynist" in South Korea. Drawing upon both Korean-language and English-language sources, Hye Seung Chung challenges these misunderstandings, recuperating Kim's oeuvre as a therapeutic, yet brutal cinema of Nietzschean ressentiment (political anger and resentment deriving from subordination and oppression). 410 0$aContemporary film directors. 606 $aMotion picture producers and directors 615 0$aMotion picture producers and directors. 676 $a791.4302/33092 676 $aB 700 $aChung$b Hye Seung$f1971-$01646321 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814396103321 996 $aKim Ki-duk$94107842 997 $aUNINA