LEADER 04450nam 2200685 450 001 9910814390203321 005 20220203015002.0 010 $a1-4773-0771-0 024 7 $a10.7560/302378 035 $a(CKB)3710000000478590 035 $a(EBL)4397275 035 $a(SSID)ssj0001554980 035 $a(PQKBManifestationID)16179874 035 $a(PQKBTitleCode)TC0001554980 035 $a(PQKBWorkID)12141678 035 $a(PQKB)10221626 035 $a(MiAaPQ)EBC4397275 035 $a(Au-PeEL)EBL4397275 035 $a(CaPaEBR)ebr11255356 035 $a(OCoLC)925497175 035 $a(DE-B1597)587114 035 $a(DE-B1597)9781477307717 035 $a(EXLCZ)993710000000478590 100 $a20160914h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCuban underground hip hop $eBlack thoughts, Black revolution, Black modernity /$fTanya L. Saunders 210 1$aAustin, [Texas] :$cUniversity of Texas Press,$d2015. 210 4$dİ2015 215 $a1 online resource (369 p.) 225 1 $aLatin American and Caribbean Arts and Culture Publication Initiative, Mellon Foundation 300 $aDescription based upon print version of record. 311 $a1-4773-0237-9 320 $aIncludes bibliographical references and index. 327 $aIntroduction -- Historicizing race, cultural politics, and critical music cultures in Cuba -- La revolucio?n dentro de la revolucio?n/The revolution within the revolution : hip hop, Cuba, and Afro-descendant challenges to coloniality -- Whiteness, mulat@ness, blackness: racial identities and politics within the Cuban underground hip hop movement -- "Never has anyone spoken to you like this" : examining the lexicon of Cuban underground hip hop artivist discourses -- "I'm a feminist, but I don't hate men" : emergent black feminist discourses and identity politics within the Cuban underground hip hop movement -- Kruda knowledge, Kruda discourse : Las Krudas CUBENSI, transnational black feminism, and the queer of color critique -- Conclusion. 330 $aIn the wake of the 1959 Cuban Revolution, a key state ideology developed: racism was a systemic cultural issue that ceased to exist after the Revolution, and any racism that did persist was a result of contained cases of individual prejudice perpetuated by US influence. Even after the state officially pronounced the end of racism within its borders, social inequalities tied to racism, sexism, and homophobia endured, and, during the economic liberalization of the 1990s, widespread economic disparities began to reemerge. Cuban Underground Hip Hop focuses on a group of self-described antiracist, revolutionary youth who initiated a social movement (1996?2006) to educate and fight against these inequalities through the use of arts-based political activism intended to spur debate and enact social change. Their ?revolution? was manifest in altering individual and collective consciousness by critiquing nearly all aspects of social and economic life tied to colonial legacies. Using over a decade of research and interviews with those directly involved, Tanya L. Saunders traces the history of the movement from its inception and the national and international debates that it spawned to the exodus of these activists/artists from Cuba and the creative vacuum they left behind. Shedding light on identity politics, race, sexuality, and gender in Cuba and the Americas, Cuban Underground Hip Hop is a valuable case study of a social movement that is a part of Cuba?s longer historical process of decolonization. 410 0$aLatin American and Caribbean Arts and Culture Publication Initiative, Mellon Foundation 606 $aHip-hop$zCuba 606 $aMusic$xPolitical aspects$zCuba 606 $aBlack people$zCuba$xEthnic identity 606 $aBlack people$xPolitical activity$zCuba 606 $aRacism$zCuba 607 $aCuba$xRace relations 615 0$aHip-hop 615 0$aMusic$xPolitical aspects 615 0$aBlack people$xEthnic identity. 615 0$aBlack people$xPolitical activity 615 0$aRacism 676 $a781.64/9097291 700 $aSaunders$b Tanya L.$01714188 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814390203321 996 $aCuban underground hip hop$94107791 997 $aUNINA