LEADER 03752nam 2200505 450 001 9910814378503321 005 20230814222131.0 010 $a90-04-36863-9 024 7 $a10.1163/9789004368637 035 $a(CKB)4100000004173255 035 $a(MiAaPQ)EBC5449708 035 $a(OCoLC)1043913890 035 $a(nllekb)BRILL9789004368637 035 $a(EXLCZ)994100000004173255 100 $a20180727d2018 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 00$aMemory in medieval China $etext, ritual, and community /$fedited by Wendy Swartz, Robert Ford Campany 210 1$aLeiden, The Netherlands ;$aBoston :$cBrill,$d[2018] 215 $a1 online resource (380 pages) 225 1 $aSinica Leidensia ;$vVolume 140 311 $a90-04-36862-0 320 $aIncludes bibliographical references and index. 327 $tPreliminary Material -- $tIntroduction /$rRobert Ford Campany and Wendy Swartz -- $t1 Artful Remembrance: Reading, Writing, and Reconstructing the Fallen State in Lu Ji?s ?Bian wang? /$rMeow Hui Goh -- $t2 Intertextuality and Cultural Memory in Early Medieval China: Jiang Yan?s Imitations of Nearly Lost and Lost Writers /$rWendy Swartz -- $t3 On Mourning and Sincerity in the Li ji and the Shishuo xinyu? /$rJack W. Chen -- $t4 ?Making Friends with the Men of the Past?: Literati Identity and Literary Remembering in Early Medieval China /$rPing Wang -- $t5 Yu Xin?s ?Memory Palace?: Writing Trauma and Violence in Early Medieval Chinese Aulic Poetry /$rXiaofei Tian -- $t6 Structured Gaps: The Qianzi wen and Its Paratexts as Mnemotechnics /$rChristopher M.B. Nugent -- $t7 Genre and the Construction of Memory: A Case Study of Quan Deyu?s ??? (759-818) Funerary Writings for Zhang Jian ?? (744-804) /$rAlexei Kamran Ditter -- $t8 Figments of Memory: ?Xu Yunfeng? and the Invention of a Historical Moment /$rSarah M. Allen -- $t9 The Mastering Voice: Text and Aurality in the Ninth-century Mediascape /$rRobert Ashmore -- $tIndex /$rWendy Swartz and Robert Ford Campany. 330 $aMemory is not an inert container but a dynamic process. It can be structured by ritual, constrained by textual genre, and shaped by communities? expectations and reception. Urging a particular view of the past on readers is a complex rhetorical act. The collective reception of portrayals of the past often carries weighty implications for the present and future. The essays collected in this volume investigate various aspects of memory in medieval China (ca. 100-900 CE) as performed in various genres of writing, from poetry to anecdotes, from history to tomb epitaphs. They illuminate ways in which the memory of individual persons, events, dynasties, and literary styles was constructed and revised through processes of writing and reading. Contributors include: Sarah M. Allen, Robert Ashmore, Robert Ford Campany, Jack W. Chen, Alexei Ditter, Meow Hui Goh, Christopher M. B. Nugent, Xiaofei Tian, Wendy Swartz, Ping Wang. 410 0$aSinica Leidensia.$x0169-9563 ;$vVolume 140. 606 $aChinese literature$y221 B.C.-960 A.D$xHistory and criticism 606 $aMemory in literature 606 $aCollective memory in literature 615 0$aChinese literature$xHistory and criticism. 615 0$aMemory in literature. 615 0$aCollective memory in literature. 676 $a895.109 702 $aSwartz$b Wendy$f1972- 702 $aCampany$b Robert Ford$f1959- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814378503321 996 $aMemory in medieval China$94078732 997 $aUNINA