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101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aSpace, time, and presence in the icon $eseeing the world with the eyes of God /$fClemena Antonova ; with a preface by Martin Kemp
210  1$aLondon ;$aNew York :$cRoutledge,$d2016.
215   $a1 online resource (206 p.)
225 1 $aAshgate studies in theology, imagination, and the arts
300   $a"First published 2010 by Ashgate Publishing"--t.p. verso.
311   $a0-7546-6798-7 
320   $aIncludes bibliographical references and index.
327   $aCover; Contents; List of Illustrations; Acknowledgements; Preface; Introduction; 1 The Role of Time in the Pictorial Art; 2 On Reverse Perspective - a Critical Reading; 3 Registering Presence in the Icon; 4 "Seeing the World with the Eyes of God": An Alternative Explanation of "Reverse Perspective"; Conclusion; Sample Analysis An Analysis of Rublev's Trinity Icon in the Terms, Proposed in this Book; Glossary of Terms; Bibliography; Index
330   $aThis book contributes to the re-emerging field of ""theology through the arts"" by proposing a way of approaching one of the most challenging theological concepts - divine timelessness - through the principle of construction of space in the icon. One of the main objectives of this book is to discuss critically the implications of ""reverse perspective"", which is especially characteristic of Byzantine and Byzantining art. Drawing on the work of Pavel Florensky, one of the foremost Russian religious philosophers at the beginning of the 20th century, Antonova shows that Florensky's concept of 's
410  0$aAshgate studies in theology, imagination, and the arts.
606   $aSpace and time in art
606   $aPerspective
606   $aIcons
615  0$aSpace and time in art.
615  0$aPerspective.
615  0$aIcons.
676   $a701.8
700   $aAntonova$b Clemena$f1970-,$01724199
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910814345503321
996   $aSpace, time, and presence in the icon$94126084
997   $aUNINA