LEADER 02230nam 2200625 450 001 9910814343703321 005 20230807201929.0 010 $a0-8156-5349-2 035 $a(CKB)3710000000513906 035 $a(EBL)4649063 035 $a(SSID)ssj0001581831 035 $a(PQKBManifestationID)16259050 035 $a(PQKBTitleCode)TC0001581831 035 $a(PQKBWorkID)14790225 035 $a(PQKB)11144790 035 $a(MiAaPQ)EBC4649063 035 $a(OCoLC)928978171 035 $a(MdBmJHUP)muse47092 035 $a(Au-PeEL)EBL4649063 035 $a(CaPaEBR)ebr11249947 035 $a(CaONFJC)MIL946918 035 $a(EXLCZ)993710000000513906 100 $a20160906h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aPostcolonial overtures $ethe politics of sound in contemporary Northern Irish poetry /$fJulia C. Obert 205 $aFirst edition. 210 1$aSyracuse, New York :$cSyracuse University Press,$d2015. 210 4$dİ2015 215 $a1 online resource (252 p.) 225 0 $aPostcolonial Overtures 300 $aDescription based upon print version of record. 311 $a0-8156-3400-5 320 $aIncludes bibliographical references and index. 327 $aOf homing refrains -- Ciaran Carson: sounding the city -- Ciaran Carson: from song to stutter -- Derek Mahon: bearing earwitness -- Derek Mahon: a "politics of frequency" -- Paul Muldoon: becoming opera -- Paul Muldoon: poetic sonography -- Coda: "the new north". 410 0$aIrish Studies 606 $aEnglish poetry$xIrish authors$xHistory and criticism 606 $aEnglish poetry$y20th century$xHistory and criticism 606 $aSound in literature 607 $aNorthern Ireland$xIn literature 615 0$aEnglish poetry$xIrish authors$xHistory and criticism. 615 0$aEnglish poetry$xHistory and criticism. 615 0$aSound in literature. 676 $a821/.9109357 700 $aObert$b Julia C.$01724194 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814343703321 996 $aPostcolonial overtures$94126069 997 $aUNINA