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200 10$aFreedom and nature in Schelling's philosophy of art$b[electronic resource] /$fDevin Zane Shaw
210   $aLondon ;$aNew York $cContinuum$dc2010
215   $a1 online resource (188 p.)
225 1 $aContinuum studies in philosophy
300   $aDescription based upon print version of record.
311   $a1-4411-1732-6 
311   $a1-4411-5624-0 
320   $aIncludes bibliographical references and index.
327   $aContents; Acknowledgments; Note on Citations; Introduction; 1 Dogmatism, Criticism, and Art; 2 From Nature-philosophy to the 'Mythology of Reason'; 3 Artistic Activity and the Subversion of Transcendental Idealism; 4 Substance and History: Absolute Idealism and Art; 5 From Art and Nature to Freedom and Revelation; Conclusion; Notes; Bibliography; Index
330   $aSchelling is often thought to be a protean thinker whose work is difficult to approach or interpret. Devin Zane Shaw shows that the philosophy of art is the guiding thread to understanding Schelling's philosophical development from his early works in 1795-1796 through his theological turn in 1809-1810. Schelling's philosophy of art is the 'keystone' of the system; it unifies his idea of freedom and his philosophy of nature. Schelling's idea of freedom is developed through a critique of the formalism of Kant's and Fichte's practical philosophies, and his nature-philosophy is developed to show h
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200 00$a21st century funding and development strategies for libraries /$fguest editor, Susan Sharpless Smith
210  1$aBradford, England :$cEmerald Group Publishing Limited,$d2016.
210  4$dİ2016
215   $a1 online resource (69 pages) $cillustrations, tables, charts
225 1 $aBottom Line,$x0888-045X ;$vVolume 29, Number 2
320   $aIncludes bibliographical references.
410  0$aBottom line ;$vVolume 29, Number 2.
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