LEADER 03811nam 2200673 450 001 9910814329503321 005 20170918234017.0 010 $a1-4422-6098-X 035 $a(CKB)3710000000563466 035 $a(EBL)4332478 035 $a(OCoLC)934514456 035 $a(SSID)ssj0001593142 035 $a(PQKBManifestationID)16289991 035 $a(PQKBTitleCode)TC0001593142 035 $a(PQKBWorkID)14837773 035 $a(PQKB)10331426 035 $a(MiAaPQ)EBC4332478 035 $a(EXLCZ)993710000000563466 100 $a20160119h20162016 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aFrench cinema and the Great War $eremembrance and representation /$fedited by Marcelline Block, Barry Nevin ; contributors, Fernando Gabriel Pagnoni Berns [and eight others] 210 1$aLanham, Maryland :$cRowman & Littlefield,$d2016. 210 4$dİ2016 215 $a1 online resource (206 p.) 225 1 $aFilm and History 300 $aDescription based upon print version of record. 311 $a1-4422-6097-1 320 $aIncludes bibliographical references and index. 327 $aContents; Foreword; Acknowledgments; Introduction; I: Recording and Remembering theGreat War; 1 Germaine Dulac's Le Cine?ma au service de l'histoire (1935); 2 War Changes Everything; 3 An Anti-Archive of World War I; 4 Expressing Pacifist Views through the Recovery of World War I's Silenced Voices in Jean-Jacques Annaud's La victoire en chantant (1976), Bertrand Tavernier's Capitaine Conan (1996), and Jean-Pierre Jeunet's Un long dimanche de fianc?ailles (2004); II: Women at the Front; 5 Unexpected Heroines in French and American Patriotic War Films; 6 Women's Voices, Memory, and the War 327 $a7 "Love and Nothing But"* in La Vie et rien d'autre (Bertrand Tavernier, 1989) and Joyeux Noe?l (Christian Carion, 2005)III: Interrogating Commemoration: Jean Renoir's La Grande Illusion (1937); 8 "Une me?moire de pierre"; 9 Re-membering the War; 10 The French Aristocracy at War in La Grande Illusion (1937) and La Re?gle du jeu (1939); 11 "Un homme lui, un he?ros!"; Index; About the Editors and Contributors 330 $aEven a century after its conclusion, the devastation of the Great War still echoes in the work of artists who try to make sense of the political, moral, ideological, and economic changes and challenges it spawned. This volume provides the first book-length study of World War I as it is featured in French cinema, from the silent era to contemporary films. Presented in three thematic sections-Recording and Remembering the Great War, Women at the Front, and Interrogating Commemoration-the essays in this volume explore the ways in which French film contributes to the restoration and modification o 410 0$aFilm and History 606 $aWorld War, 1914-1918$xMotion pictures and the war 606 $aWar films$zFrance$xHistory and criticism 606 $aMotion pictures$zFrance$xHistory$y20th century 606 $aPsychic trauma in motion pictures 606 $aCulture in motion pictures 606 $aCollective memory$zFrance 615 0$aWorld War, 1914-1918$xMotion pictures and the war. 615 0$aWar films$xHistory and criticism. 615 0$aMotion pictures$xHistory 615 0$aPsychic trauma in motion pictures. 615 0$aCulture in motion pictures. 615 0$aCollective memory 676 $a791.43/658403 702 $aBlock$b Marcelline 702 $aNevin$b Barry$f1989- 702 $aPagnoni Berns$b Fernando Gabriel 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814329503321 996 $aFrench cinema and the Great War$94003027 997 $aUNINA