LEADER 03495oam 2200649Mn 450 001 9910455893003321 005 20200324081312.0 010 $a1-134-78173-3 010 $a1-280-21756-1 010 $a0-203-19427-6 010 $a0-203-28627-8 035 $a(CKB)111087027075850 035 $a(EBL)179691 035 $a(OCoLC)144618817 035 $a(SSID)ssj0000070880 035 $a(PQKBManifestationID)11109849 035 $a(PQKBTitleCode)TC0000070880 035 $a(PQKBWorkID)10070843 035 $a(PQKB)11550982 035 $a(MiAaPQ)EBC179691 035 $a(Au-PeEL)EBL179691 035 $a(CaPaEBR)ebr10095841 035 $a(CaONFJC)MIL21756 035 $a(OCoLC)697467547$z(OCoLC)842262159 035 $a(OCoLC-P)697467547 035 $a(FlBoTFG)9780203194270 035 $a(EXLCZ)99111087027075850 100 $a19960116j19960305 uy 0 101 0 $aeng 135 $aur|n||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAlgernon Swinburne 210 $aNew York $cRoutledge$dMarch 1996$aFlorence $cTaylor & Francis Group [distributor] 215 $a1 online resource (296 p.) 225 1 $aThe critical heritage series 300 $aDescription based upon print version of record. 311 $a0-415-75675-8 311 $a0-415-13454-4 320 $aIncludes bibliography. 327 $aBook Cover; Title; Contents; PREFACE page; INTRODUCTION; ACKNOWLEDGMENTS; NOTE ON THE TEXT; Unsigned notice in Spectator 1861; Unsigned notice in Athenaeum 1861; Henry Adams; Georgiana Burne-Jones; Bayard Taylor; Unsigned review in Saturday Review 1865; Unsigned review in Athenaeum 1865; JOHN MORLEY in Saturday Review 1866; ROBERT BUCHANAN in Athenaeum 1866; Unsigned review in London Review 1866; BUCHANAN: 'The Session of the Poets' in Spectator 1866; HENRY MORLEY in Examiner 1866; SWINBURNE defends his poems 1866; W.M.ROSSETTI: Swinburne's Poems and Ballads 1866 327 $aALFRED AUSTIN: 'Mr. Swinburne' 1870ALFRED TENNYSON; ROBERT BROWNING; MATTHEW ARNOLD; THOMAS CARLYLE and RALPH WALDO EMERSON; JOHN RUSKIN; WILLIAM MORRIS; GEORGE MEREDITH; EDWARD LYTTON BULWER-LYTTON; Unsigned review in Saturday Review 1871; Unsigned review in Edinburgh Review 1871; FRANZ HFFER in Academy 1871; SWINBURNE on Robert Buchanan's self-revelations 1872; A.C.HILTON: 'Octopus' 1872; E.C.STEDMAN on Swinburne 1875; JOHN ADDINGTON SYMONDS in Academy 1876; W.K.CLIFFORD on Songs before Sunrise 1877; THEODORE WATTS in Athenaeum 1878; MAUPASSANT on Swinburne 1891 327 $aF.W.H.MYERS on Swinburne's Weltanschauung 1893GEORGE SAINTSBURY: 'Mr. Swinburne' 1895; WILLIAM MORTON PAYNE: 'Algernon Charles Swinburne' 1897; 'An Imaginary Correspondence' in Punch 1902; Swinburne: a backward glance 1904; OLIVER ELTON: 'Mr. Swinburne's Poems' 1907; MAX BEERBOHM: 'No. 2 The Pines' 1920; INDEX 330 8 $aThe Critical Heritage gathers together a large body of critical sources on major figures in literature. Each volume presents contemporary repsonses to a writer's work, enabling students and researchers to read the material themselves. 410 0$aCritical heritage series. 606 $aEnglish literature$y19th century 608 $aElectronic books. 615 0$aEnglish literature 676 $a821.8 700 $aHyder$b Clyde K.$4edt$0193573 801 0$bOCoLC-P 801 1$bOCoLC-P 906 $aBOOK 912 $a9910455893003321 996 $aAlgernon Swinburne$91918617 997 $aUNINA LEADER 01094nam 2200373 450 001 9910814285603321 005 20230807203029.0 010 $a3-7369-8173-2 035 $a(CKB)4340000000197466 035 $a(MiAaPQ)EBC5019493 035 $a(EXLCZ)994340000000197466 100 $a20170927h20152015 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $2rdacontent 182 $2rdamedia 183 $2rdacarrier 200 14$aThe asymptotic behavior of the term structure of interest rates /$fMaximilian Hartel 210 1$aGottingen, [Germany] :$cCuvillier Verlag,$d2015. 210 4$dİ2015 215 $a1 online resource (159 pages) 311 $a3-7369-9173-8 320 $aIncludes bibliographical references. 606 $aInterest rates 615 0$aInterest rates. 676 $a332.82 700 $aHartel$b Maximilian$01699009 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814285603321 996 $aThe asymptotic behavior of the term structure of interest rates$94080934 997 $aUNINA LEADER 04121nam 22006972 450 001 9910963634703321 005 20151005020621.0 010 $a1-139-88769-6 010 $a1-139-56474-9 010 $a1-139-55246-5 010 $a1-139-54995-2 010 $a1-139-55616-9 010 $a1-139-55491-3 010 $a1-139-17805-9 010 $a1-283-83611-4 010 $a1-139-55120-5 035 $a(CKB)2550000000708937 035 $a(EBL)989129 035 $a(OCoLC)818859095 035 $a(SSID)ssj0000725840 035 $a(PQKBManifestationID)11441179 035 $a(PQKBTitleCode)TC0000725840 035 $a(PQKBWorkID)10766470 035 $a(PQKB)10877482 035 $a(UkCbUP)CR9781139178051 035 $a(MiAaPQ)EBC989129 035 $a(Au-PeEL)EBL989129 035 $a(CaPaEBR)ebr10628054 035 $a(CaONFJC)MIL414861 035 $a(EXLCZ)992550000000708937 100 $a20111102d2012|||| uy| 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aHarmony in Haydn and Mozart /$fDavid Damschroder 205 $a1st ed. 210 1$aCambridge :$cCambridge University Press,$d2012. 215 $a1 online resource (xii, 298 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 05 Oct 2015). 311 08$a1-107-41984-0 311 08$a1-107-02534-6 320 $aIncludes bibliographical references (p. [284]-293) and indexes. 327 $aHarmonic practice in the late eighteenth century : twelve excerpts from string quartets by Haydn and Mozart -- Anatomy of the I-II?-V two-part exposition : twelve keyboard sonatas by Haydn -- Composition in a minor key : six arias in G minor from operas by Mozart -- The happy ending : three sonata-rondos in D major from piano concertos by Haydn and Mozart -- Haydn : Symphony no. 45 in F? minor ("Farewell"), movement 2 : in response to James Webster -- Haydn : String quartet in G minor (op. 20, no. 3), movement 3 : in response to Robert O. Gjerdingen -- Mozart : String quintet in C major (K. 515), movement 1 : in response to V. Kofi Agawu and Michael Spitzer -- Mozart : Don Giovanni (K. 527), Act 1, Scene 13 : Donna Anna's recitative and aria : in response to Carl Schachter -- Mozart : Symphony no. 40 in G minor (K. 550), movement 3, trio : in response to Leonard B. Meyer -- Haydn : Symphony no. 96 in D major ("Miracle"), movement 1 : in response to Warren Darcy, James Hepokoski, and Lauri Suurpa?a?. 330 $aIntegrating Schenkerian tools and an innovative approach to harmony, David Damschroder provides numerous penetrating analyses of works by Haydn and Mozart. A series of introductory chapters assist readers in developing their analytical capacity. Beginning with short excerpts from string quartets, the study proceeds by assessing the inner workings of twelve expositions from Haydn piano sonatas, six arias in G minor from Mozart operas, and three rondos in D major from piano concertos by Haydn and Mozart. In the Masterworks section that follows, Damschroder presents detailed analyses of six movements from symphonies, string quartets and opera by Haydn and Mozart, and compares his outcomes with those of other analysts, including Kofi Agawu, Robert O. Gjerdingen, James Hepokoski and Warren Darcy, Carl Schachter and James Webster. 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