LEADER 00869nam0-22002771i-450- 001 990001025450403321 035 $a000102545 035 $aFED01000102545 035 $a(Aleph)000102545FED01 035 $a000102545 100 $a20000920d1965----km-y0itay50------ba 101 0 $aeng 200 1 $aElementary Particle and High Energy Physics$e1963 Lectures Given at the Cargèse Summer School of Theoretical Physics$fEdited by M. Levy and Ph. Meyer 210 $aNew York$cGordon and Breach$d1965 610 0 $aScuole di fisica 676 $a530.143 700 1$aLévy,$bMaurice$f<1922- >$0341728 702 1$aMeyer,$bPH. 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990001025450403321 952 $a22B-007.001$b5133$fFI1 959 $aFI1 996 $aElementary Particle and High Energy Physics$9339471 997 $aUNINA DB $aING01 LEADER 03828nam 2200745 450 001 9910818736003321 005 20230615231703.0 024 7 $a10.1515/9783110226607 035 $a(CKB)3280000000038914 035 $a(EBL)893511 035 $a(SSID)ssj0001438804 035 $a(PQKBManifestationID)12012630 035 $a(PQKBTitleCode)TC0001438804 035 $a(PQKBWorkID)11378142 035 $a(PQKB)10112527 035 $a(MiAaPQ)EBC893511 035 $a(DE-B1597)38376 035 $a(OCoLC)900722781 035 $a(OCoLC)979582322 035 $a(DE-B1597)9783110226607 035 $a(Au-PeEL)EBL893511 035 $a(CaPaEBR)ebr11036005 035 $a(CaONFJC)MIL806475 035 $a(EXLCZ)993280000000038914 100 $a20140409h20142014 uy 0 101 0 $aeng 135 $aur||#|||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe sound structure of modern Irish /$fRaymond Hickey 210 1$aBerlin ;$aBoston :$cDe Gruyter Mouton,$d[2014] 210 4$d©2014 215 $a1 online resource (494 pages) $cillustrations 225 1 $aEmpirical approaches to language typology,$x0933-761X ;$v47 311 0 $a3-11-022660-X 311 0 $a3-11-174035-8 311 0 $a3-11-022659-6 311 0 $a3-11-036903-6 320 $aIncludes bibliographical references and indexes. 327 $tFront matter --$tPreface --$tContents --$tI Introduction --$tII The phonological framework --$tIII The morphonology of Irish --$tIV Typological viewpoints --$tV Appendixes --$tGlossary --$tReferences --$tSubject index --$tLanguage index --$tName index 330 $aThe Sound Structure of Modern Irish contains a comprehensive description of the phonology of Irish. Based on the main forms of the language, it offers an analysis of the segments and the processes in its sound system. Each section begins with a description of the area of phonology which is the subject - such as stress patterns, phonotactics, epenthesis or metathesis - and then proceeds to consider the special aspects of this subject from a theoretical and typological perspective. The book pays particular attention to key processes in the sound system of modern Irish. The two most important of these are palatalisation and initial mutation, phenomena which are central to Irish and the analysis of which has consequences for general phonological theory. The other main emphasis in the book is on a typological comparison of several different languages, all of which show palatalisation and/or initial mutation as part of their systems. The different forms of Celtic, Slavic languages, Romance dialects and languages along with languages such as Finnish, Fula, Nivkh and Southern Paiute are considered to find out how processes which are phonetic in origin (external sandhi) can become functionalised and integrated into the morphosyntactic system of a language. 410 0$aEmpirical approaches to language typology ;$v47. 606 $aIrish language$xPhonology 606 $aIrish language$xPhonetics 606 $aIrish language$xPronunciation 606 $aIrish language$xDialects 606 $aLanguage and culture$zIreland$xHistory 610 $aLanguage Change. 610 $aLanguage Typology. 610 $aPhonology, Prosody. 615 0$aIrish language$xPhonology. 615 0$aIrish language$xPhonetics. 615 0$aIrish language$xPronunciation. 615 0$aIrish language$xDialects. 615 0$aLanguage and culture$xHistory. 676 $a491.6/215 700 $aHickey$b Raymond$f1954-$0176031 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910818736003321 996 $aThe sound structure of modern Irish$93995072 997 $aUNINA LEADER 04750nam 2200913 450 001 9910814277003321 005 20200120143340.0 010 $a1-84779-679-6 010 $a1-78170-103-2 010 $a1-84779-174-3 024 7 $a10.7765/9781847791740 035 $a(CKB)2560000000085746 035 $a(EBL)1069588 035 $a(OCoLC)823385875 035 $a(SSID)ssj0000747065 035 $a(PQKBManifestationID)12326237 035 $a(PQKBTitleCode)TC0000747065 035 $a(PQKBWorkID)10699004 035 $a(PQKB)10428399 035 $a(StDuBDS)EDZ0000086808 035 $a(MiAaPQ)EBC1069588 035 $a(Au-PeEL)EBL1069588 035 $a(CaPaEBR)ebr10623301 035 $a(CaONFJC)MIL843559 035 $a(UkMaJRU)992980061924901631 035 $a(DE-B1597)660233 035 $a(DE-B1597)9781847791740 035 $a(EXLCZ)992560000000085746 100 $a20200108h20132007 |y| 0 101 0 $aeng 135 $aur||#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDisclosed poetics $ebeyond landscape and lyricism /$fJohn Kinsella 210 1$aManchester, UK :$cManchester University Press,$d2013. 210 4$d©2007 215 $a1 online resource (xii, 249 pages) $cillustrations; digital file(s) 225 1 $aAngelaki humanities 225 0$aAngelaki humanities 300 $aDescription based upon print version of record. 311 $a0-7190-9560-3 311 $a0-7190-7558-0 320 $aIncludes bibliographical references and index. 327 $a9780719075582; 9780719075582; Copyright Page; CONTENTS; ILLUSTRATIONS; ACKNOWLEDGEMENTS; PREFACE: BEYOND LANDSCAPE AND LYRICISM; I PASTORAL, LANDSCAPE, PLACE . . .; Definitions of pastoral?; Can there be a radical 'western' pastoral?; Parrotology (on the necessity of parrots in poetry); Landscape poetry?; The dark side of the beach: undisclosed poetics; II SPATIAL LYRICISM; A new lyricism: some early thoughts on linguistic disobedience; Olivetti Lettera 32; Distortions - on questioning the primacy of the accented syllable: notes on alternative spatialities for poetic rhythm 327 $aLine breaks and back-draft: not a defence of a poemLine breaks coda; The search for the new idea, the unique? Against poetics?; III MANIFESTOES; Anthologising the nation; Notes towards netdeath and the loss of page style: working 'off the page'?; Consensus; The group, linguistic innovation, and international regionalism:prelude to the preparation of a group manifesto; Intensivism; Hyperpoetics and the curvature of subsets; Treatise on rooms and windows; IV AGEING, LOSS, RECIDIVISM . . .; Domine, refugium . . .; Graphol-age-ia poetica: ageing as confrontation or avoidance of death 327 $aA loss of poeticsPoetics recidivous and the de-poetics of lightning, herbicides,and pesticides; Afterword to The New Arcadia; V APPENDICES; From Marcus Clarke's 'Preface' to the Poems of Adam LindsayGordon, 1880/1893; Windows; Imitation Spatialogue (Sublime); Letter from Graham Nerlich; BIBLIOGRAPHY 330 $aJohn Kinsella explores a contemporary poetics and pedagogy as it emerges from his reflections on his own writing and teaching, and on the work of other poets, particularly contemporary writers with which he feels some affinity. At the heart of the book is Kinsella's attempt to elaborate his vision of a species of pastoral that is adequate to a globalised world (Kinsella himself writes and teaches in the USA, the UK and his native Australia), and an environmentally and politically just poetry. The book has an important autobiographical element, as Kinsella explores the pulse of his poetic imagi 410 0$aAngelaki humanities. 606 $aPoetics 606 $aPoetry$xThemes, motives 606 $aLandscapes in literature 606 $aLiterature$2mup 606 $aLiterary Theory$2bicssc 606 $aLITERARY CRITICISM / Poetry$2bisach 606 $aLiterary studies: poetry & poets$2thema 610 $acontemporary writers. 610 $aglobalised world. 610 $apastoral. 610 $apedagogy. 610 $apoetic imagination. 610 $apoetics. 610 $apoetry. 610 $ateaching. 610 $awriting. 615 0$aPoetics. 615 0$aPoetry$xThemes, motives. 615 0$aLandscapes in literature. 615 7$aLiterature 615 7$aLiterary Theory 615 7$aLITERARY CRITICISM / Poetry 615 7$aLiterary studies: poetry & poets 676 $a808.1 700 $aKinsella$b John$f1963-$01649148 801 2$bUkMaJRU 906 $aBOOK 912 $a9910814277003321 996 $aDisclosed poetics$94124606 997 $aUNINA