LEADER 00837nam0-22003131i-450- 001 990006549010403321 005 20120328131915.0 010 $a0-566-054981 035 $a000654901 035 $aFED01000654901 035 $a(Aleph)000654901FED01 035 $a000654901 100 $a20010426d--------km-y0itay50------ba 101 0 $aita 105 $ay-------001yy 200 1 $aFiscal policy$eessays in honour of Cedric Sandford$fedited by David Collard 210 $aAldershot$cAvebury$d1989. 215 $aXII, 173 p.$d21 cm 676 $a336.3 702 1$aCollard,$bDavid 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990006549010403321 952 $aVI C 806$b18176$fFSPBC 952 $aH01.180$b2870$fDECTS 959 $aFSPBC 959 $aDECTS 996 $aFiscal Policy$9459965 997 $aUNINA LEADER 00802nam0-22002891i-450- 001 990003080330403321 010 $a0262011603 035 $a000308033 035 $aFED01000308033 035 $a(Aleph)000308033FED01 035 $a000308033 100 $a20000920d1997----km-y0itay50------ba 101 0 $aENG 102 $aIT 200 1 $aFiscal Policy$elessons from economic research$fedited by Alan J. Auerbach. 210 $aCambridge$dMass.$cThe MIT Press$d1997. 215 $axii, 475 p.$cill.$d24 cm 610 0 $aPolitica fiscale$aStati Uniti 702 1$aAuerbach,$bAlan J. 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990003080330403321 952 $aN/2.321 AUE$b18598$fSES 959 $aSES 996 $aFiscal Policy$9459965 997 $aUNINA DB $aING01 LEADER 04750nam 2200913 450 001 9910814277003321 005 20200120143340.0 010 $a1-84779-679-6 010 $a1-78170-103-2 010 $a1-84779-174-3 024 7 $a10.7765/9781847791740 035 $a(CKB)2560000000085746 035 $a(EBL)1069588 035 $a(OCoLC)823385875 035 $a(SSID)ssj0000747065 035 $a(PQKBManifestationID)12326237 035 $a(PQKBTitleCode)TC0000747065 035 $a(PQKBWorkID)10699004 035 $a(PQKB)10428399 035 $a(StDuBDS)EDZ0000086808 035 $a(MiAaPQ)EBC1069588 035 $a(Au-PeEL)EBL1069588 035 $a(CaPaEBR)ebr10623301 035 $a(CaONFJC)MIL843559 035 $a(UkMaJRU)992980061924901631 035 $a(DE-B1597)660233 035 $a(DE-B1597)9781847791740 035 $a(EXLCZ)992560000000085746 100 $a20200108h20132007 |y| 0 101 0 $aeng 135 $aur||#---||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 10$aDisclosed poetics $ebeyond landscape and lyricism /$fJohn Kinsella 210 1$aManchester, UK :$cManchester University Press,$d2013. 210 4$dİ2007 215 $a1 online resource (xii, 249 pages) $cillustrations; digital file(s) 225 1 $aAngelaki humanities 225 0$aAngelaki humanities 300 $aDescription based upon print version of record. 311 $a0-7190-9560-3 311 $a0-7190-7558-0 320 $aIncludes bibliographical references and index. 327 $a9780719075582; 9780719075582; Copyright Page; CONTENTS; ILLUSTRATIONS; ACKNOWLEDGEMENTS; PREFACE: BEYOND LANDSCAPE AND LYRICISM; I PASTORAL, LANDSCAPE, PLACE . . .; Definitions of pastoral?; Can there be a radical 'western' pastoral?; Parrotology (on the necessity of parrots in poetry); Landscape poetry?; The dark side of the beach: undisclosed poetics; II SPATIAL LYRICISM; A new lyricism: some early thoughts on linguistic disobedience; Olivetti Lettera 32; Distortions - on questioning the primacy of the accented syllable: notes on alternative spatialities for poetic rhythm 327 $aLine breaks and back-draft: not a defence of a poemLine breaks coda; The search for the new idea, the unique? Against poetics?; III MANIFESTOES; Anthologising the nation; Notes towards netdeath and the loss of page style: working 'off the page'?; Consensus; The group, linguistic innovation, and international regionalism:prelude to the preparation of a group manifesto; Intensivism; Hyperpoetics and the curvature of subsets; Treatise on rooms and windows; IV AGEING, LOSS, RECIDIVISM . . .; Domine, refugium . . .; Graphol-age-ia poetica: ageing as confrontation or avoidance of death 327 $aA loss of poeticsPoetics recidivous and the de-poetics of lightning, herbicides,and pesticides; Afterword to The New Arcadia; V APPENDICES; From Marcus Clarke's 'Preface' to the Poems of Adam LindsayGordon, 1880/1893; Windows; Imitation Spatialogue (Sublime); Letter from Graham Nerlich; BIBLIOGRAPHY 330 $aJohn Kinsella explores a contemporary poetics and pedagogy as it emerges from his reflections on his own writing and teaching, and on the work of other poets, particularly contemporary writers with which he feels some affinity. At the heart of the book is Kinsella's attempt to elaborate his vision of a species of pastoral that is adequate to a globalised world (Kinsella himself writes and teaches in the USA, the UK and his native Australia), and an environmentally and politically just poetry. The book has an important autobiographical element, as Kinsella explores the pulse of his poetic imagi 410 0$aAngelaki humanities. 606 $aPoetics 606 $aPoetry$xThemes, motives 606 $aLandscapes in literature 606 $aLiterature$2mup 606 $aLiterary Theory$2bicssc 606 $aLITERARY CRITICISM / Poetry$2bisach 606 $aLiterary studies: poetry & poets$2thema 610 $acontemporary writers. 610 $aglobalised world. 610 $apastoral. 610 $apedagogy. 610 $apoetic imagination. 610 $apoetics. 610 $apoetry. 610 $ateaching. 610 $awriting. 615 0$aPoetics. 615 0$aPoetry$xThemes, motives. 615 0$aLandscapes in literature. 615 7$aLiterature 615 7$aLiterary Theory 615 7$aLITERARY CRITICISM / Poetry 615 7$aLiterary studies: poetry & poets 676 $a808.1 700 $aKinsella$b John$f1963-$01649148 801 2$bUkMaJRU 906 $aBOOK 912 $a9910814277003321 996 $aDisclosed poetics$94124606 997 $aUNINA