LEADER 00991nam0-2200349---450- 001 990008508940403321 005 20090717113945.0 010 $a88-203-3601-4 035 $a000850894 035 $aFED01000850894 035 $a(Aleph)000850894FED01 035 $a000850894 100 $a20070510d2006----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $aa-------001yy 200 1 $aAlgoritmi e basi della programmazione$fPaolo Camagni 210 $aMilano$cHoepli$dc2006 215 $a526 p.$cill. (col.)$d26 cm 225 1 $a<>guide a colori$iLinguaggi e programmazione 610 0 $aProgrammazione 610 0 $aAlgoritmi 610 0 $aBasi di dati$aDati strutturati sequenziali 676 $a005.1 700 1$aCamagni,$bPaolo$0301043 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990008508940403321 952 $a005.1-CAM-1$b4666$fSC1 959 $aSC1 996 $aAlgoritmi e basi della programmazione$9732340 997 $aUNINA LEADER 03647nam 22007935 450 001 9910814268403321 005 20230120080537.0 010 $a0-8232-6636-2 010 $a0-8232-6250-2 010 $a0-8232-6249-9 024 7 $a10.1515/9780823262496 035 $a(CKB)2670000000582260 035 $a(OCoLC)896852950 035 $a(CaPaEBR)ebrary10962383 035 $a(SSID)ssj0001370865 035 $a(PQKBManifestationID)11878632 035 $a(PQKBTitleCode)TC0001370865 035 $a(PQKBWorkID)11298793 035 $a(PQKB)11636695 035 $a(StDuBDS)EDZ0001111257 035 $a(MdBmJHUP)muse37922 035 $a(DE-B1597)555095 035 $a(DE-B1597)9780823262496 035 $a(OCoLC)923764513 035 $a(Au-PeEL)EBL1884031 035 $a(MiAaPQ)EBC3239939 035 $a(MiAaPQ)EBC1884031 035 $a(EXLCZ)992670000000582260 100 $a20200723h20142014 fg 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aTransferential Poetics, from Poe to Warhol /$fAdam Frank 205 $aFirst edition. 210 1$aNew York, NY :$cFordham University Press,$d[2014] 210 4$d©2014 215 $a1 online resource (200 p.) 225 1 $aAmerican Literatures Initiative 300 $aBibliographic Level Mode of Issuance: Monograph 311 $a0-8232-6246-4 311 $a1-322-40064-4 320 $aIncludes bibliographical references and index. 327 $tFront matter --$tContents --$tIntroduction: Affect in the Scene of Writing --$t1 Thinking Confusion: On the Compositional Aspect of Affect --$t2 Expression and Theatricality, or Medium Poe --$t3 Maisie?s Spasms: Transferential Poetics in Henry James and Wilfred Bion --$t4 Loose Coordinations: Theater and Thinking in Gertrude Stein --$t5 Vis-à-vis Television: Andy Warhol?s Therapeutics --$tOut and Across --$tNotes --$tBibliography --$tIndex --$tAcknowledgments 330 $aTransferential Poetics presents a method for bringing theories of affect to the study of poetics. Informed by the thinking of Silvan Tomkins, Melanie Klein, and Wilfred Bion, it offers new interpretations of the poetics of four major American artists: Edgar Allan Poe, Henry James, Gertrude Stein, and Andy Warhol. The author emphasizes the close, reflexive attention each of these artists pays to the transfer of feeling between text and reader, or composition and audience? their transferential poetics. The book?s historical route from Poe to Warhol culminates in television, a technology and cultural form that makes affect distinctly available to perception. The peculiar theatricality of these four artists, Frank argues, can best be understood as a reciprocal framing relation between the bodily means of communicating affect (by face and voice) and technologies of graphic reproduction. 410 0$aAmerican Literatures Initiative 606 $aPoetics$xHistory 606 $aSemiotics 610 $aAndy Warhol. 610 $aEdgar Allan Poe. 610 $aGertrude Stein. 610 $aHenry James. 610 $aMelanie Klein. 610 $aSilvan Tomkins. 610 $aWilfred Bion. 610 $aaffect. 610 $atelevision. 610 $atheatricality. 615 0$aPoetics$xHistory. 615 0$aSemiotics. 676 $a808.1 700 $aFrank$b Adam$4aut$4http://id.loc.gov/vocabulary/relators/aut$01640779 801 0$bDE-B1597 801 1$bDE-B1597 906 $aBOOK 912 $a9910814268403321 996 $aTransferential Poetics, from Poe to Warhol$93984481 997 $aUNINA