LEADER 03579nam 22009251 450 001 9910814209403321 005 20200520144314.0 010 $a0-520-95690-7 024 7 $a10.1525/9780520956902 035 $a(CKB)2550000001128786 035 $a(EBL)1463632 035 $a(OCoLC)867630918 035 $a(SSID)ssj0001037471 035 $a(PQKBManifestationID)12469029 035 $a(PQKBTitleCode)TC0001037471 035 $a(PQKBWorkID)11043338 035 $a(PQKB)10640270 035 $a(StDuBDS)EDZ0000229729 035 $a(DE-B1597)519926 035 $a(DE-B1597)9780520956902 035 $a(Au-PeEL)EBL1463632 035 $a(CaPaEBR)ebr10777405 035 $a(CaONFJC)MIL529420 035 $a(MiAaPQ)EBC1463632 035 $a(EXLCZ)992550000001128786 100 $a20130415h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe tonadilla in performance $elyric comedy in enlightenment Spain /$fElisabeth Le Guin 210 1$aBerkeley :$cUniversity of California Press,$d[2014] 210 4$dİ2014 215 $a1 online resource (406 p.) 300 $aDescription based upon print version of record. 311 $a0-520-27630-2 311 $a1-299-98169-0 320 $aIncludes bibliographical references and index. 327 $aAn afternoon at the theater : an imaginary recreation -- Players -- Rhythms -- Bandits -- Late tonadillas. 330 $aThe tonadilla, a type of satiric musical skit popular on the public stages of Madrid during the late Enlightenment, has played a significant role in the history of music in Spain. This book, the first major study of the tonadilla in English, examines the musical, theatrical, and social worlds that the tonadilla brought together and traces the lasting influence this genre has had on the historiography of Spanish music. The tonadillas' careful constructions of musical populism provide a window onto the tensions among Enlightenment modernity, folkloric nationalism, and the politics of representation; their diverse, engaging, and cosmopolitan music is an invitation to reexamine tired old ideas of musical "Spanishness." Perhaps most radically of all, their satirical stance urges us to embrace the labile, paratextual nature of comic performance as central to the construction of history. 606 $aTonadillas$xHistory and criticism 606 $aOperas$zSpain 610 $aactors. 610 $acomic performance. 610 $acosmopolitan music. 610 $adance. 610 $adancers. 610 $aengaging. 610 $afolklore. 610 $afolkloric nationalism. 610 $ahistory of music. 610 $ahistory of spain. 610 $ahistory. 610 $amadrid. 610 $amusic. 610 $amusical genres. 610 $amusical populism. 610 $amusical. 610 $aperforming arts. 610 $apolitics of representation. 610 $apublic stages. 610 $asatiric musical skit. 610 $asocial worlds. 610 $aspain. 610 $aspanish history. 610 $aspanish music. 610 $athe enlightenment. 610 $atonadilla. 615 0$aTonadillas$xHistory and criticism. 615 0$aOperas 676 $a782.1 700 $aLe Guin$b Elisabeth$f1957-$0792371 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814209403321 996 $aThe tonadilla in performance$93960485 997 $aUNINA