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100   $a20130314d2013      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aNanoart $ethe immateriality of art /$fPaul Thomas
205   $a1st ed.
210   $aBristol. UK ;$aChicago $cIntellect$d2013
215   $a1 online resource (146 p.)
300   $aDescription based upon print version of record.
311   $a1-84150-708-3 
327   $aCover; Half Title; Title; Copyright; Contents; Foreword; Introduction; Chapter 1: Materiality and Immateriality of Art in the Age of Nanotechnology; Chapter 2: From Seeing to Touching: From the Invisible to the Visible; Chapter 3: Nanotechnology, Vibration and Vitalism; Chapter 4: Matter, Measurement and Light; Chapter 5: Transvitalism and Nature; References; Acknowledgements; Index; Author biography; Back Cover
330   $aNano is Greek for dwarf and the word nanotechnology 'was first proposed in the early seventies by a Japanese engineer, Norio Taniguchi, implying a new technology that went beyond controlling materials and engineering on the micrometer scale that dominated the 20th Century'. The content for this book has been based on a self-emergent process. It explores an art historical understanding of matter and uses various hypotheses to elucidate the effects on materiality and agency as a result of the emergence of nanotechnology. The blurring of material boundaries are reflected in the establishment of a
606   $aArt and science
606   $aArt and technology
606   $aNanotechnology
615  0$aArt and science.
615  0$aArt and technology.
615  0$aNanotechnology.
676   $a701.03
700   $aThomas$b Paul$0387560
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910814172303321
996   $aNanoart$94050289
997   $aUNINA