LEADER 03157nam 2200625 450 001 9910814169703321 005 20230422044736.0 010 $a0-19-772459-0 010 $a1-280-47123-9 010 $a0-19-992365-5 010 $a0-19-535331-5 010 $a1-60256-268-7 035 $a(CKB)1000000000363206 035 $a(EBL)886624 035 $a(OCoLC)784886714 035 $a(SSID)ssj0000172404 035 $a(PQKBManifestationID)11167351 035 $a(PQKBTitleCode)TC0000172404 035 $a(PQKBWorkID)10171439 035 $a(PQKB)10654149 035 $a(Au-PeEL)EBL4701240 035 $a(CaPaEBR)ebr11273107 035 $a(OCoLC)960165971 035 $a(MiAaPQ)EBC4701240 035 $a(EXLCZ)991000000000363206 100 $a20161012h19991999 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 00$aHitchcock's America /$fedited by Jonathan Freedman and Richard Millington 210 1$aNew York ;$aLondon, [England] :$cOxford University Press,$d1999. 210 4$dİ1999 215 $a1 online resource (382 p.) 300 $aIncludes index. 311 $a0-19-511905-3 311 $a0-19-511906-1 320 $aIncludes bibliographical references, filmography, and index. 327 $aCover Page; Title Page; Copyright Page; Contents; Contributors; Introduction; 1 Love, American Style: Hitchcock's Hollywood; 2 Unveiling Maternal Desires: Hitchcock and American Domesticity; 3 American Shame: Rope, James Stewart, and the Postwar Crisis in American Masculinity; 4 From Spellbound to Vertigo: Alfred Hitchcock and Therapeutic Culture in America; 5 Hitchcock's Washington: Spectatorship, Ideology, and the "Homosexual Menace" in Strangers on a Train; 6 Rear-View Mirror: Hitchcock, Poe, and the Flaneur in America 327 $a7 Hitchcock and American Character: The Comedy of Self-Construction in North by Northwest 8 Hitchcock's Revised American Vision: The Wrong Man and Vertigo; 9 Fearful Cemetery; Filmography; Index 330 $aAlfred Hitchcock's American films are not only among the most admired works in world cinema, they also offer some of our most acute responses to the changing shape of American society in the 1940's, 50's, and 60's. The authors of this anthology show how famous films such as Strangers on a Train, Vertigo, North by Northwest, and Rear Window, along with more obscure ones such as Rope, The Wrong Man, and Family Plot, register the ideologies and insurgencies, the normative assumptions and the cultural alternatives, that shaped these tumultuous decades. They argue that, just as these films occupy 606 $aNational characteristics, American, in motion pictures 607 $aUnited States$xIn motion pictures 615 0$aNational characteristics, American, in motion pictures. 676 $a791.43/0233/092 702 $aFreedman$b Jonathan$f1954- 702 $aMillington$b Richard H., |d $f1953- 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814169703321 996 $aHitchcock's America$94050268 997 $aUNINA