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200 10$aSinging the body electric $ethe human voice and sound technology /$fMiriama Young
205   $aFirst edition.
210  1$aLondon, England :$cZed Books,$d2016.
210  2$a[London, England] :$cBloomsbury Publishing,$d2021
215   $a1 online resource (232 p.)
300   $a"First published 2015 by Ashgate Publishing"--Title page verso.
311   $a0-7546-6986-6 
320   $aIncludes bibliographical references and index.
327   $a1. Electric voice, plastic body : vocal materiality and cultural consumption -- 2. Cut and splice : vocal cuts and loops, dissected and aberrant bodies -- 3. Machines as voice, voice as machine -- 4. Scratch and mix : sampling the human voice in the [metaphorical] phonograph -- 5. Quiet interiors : the voice and pod listening.
330   $aSinging the Body Electric explores the relationship between the human voice and technology, offering startling insights into the ways in which technological mediation affects our understanding of the voice, and more generally, the human body. From the phonautograph to magnetic tape and now to digital sampling, Miriama Young visits particular musical and literary works that define a century-and-a-half of recorded sound. She discusses the way in which the human voice is captured, transformed or synthesised through technology. This includes the sampled voice, the mechanical voice, the technologi
606   $aElectronic music$xHistory and criticism
606   $aMusic$xPhilosophy and aesthetics
606   $aVoice$xPsychological aspects
606   $aSound recordings$xProduction and direction
615  0$aElectronic music$xHistory and criticism.
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aVoice$xPsychological aspects.
615  0$aSound recordings$xProduction and direction.
676   $a783.04
700   $aYoung$b Miriama$f1975-$01676502
801  0$bTYFRS
801  1$bCaBNVSL
801  2$bCaBNVSL
906   $aBOOK
912   $a9910814141003321
996   $aSinging the body electric$94042769
997   $aUNINA