LEADER 03446nam 2200697Ia 450 001 9910814110703321 005 20200520144314.0 010 $a0-7486-7113-7 010 $a1-280-76243-8 010 $a9786610762439 010 $a0-7486-2909-2 024 7 $a10.1515/9780748629091 035 $a(CKB)1000000000351194 035 $a(EBL)286991 035 $a(OCoLC)476039623 035 $a(SSID)ssj0000101989 035 $a(PQKBManifestationID)11128006 035 $a(PQKBTitleCode)TC0000101989 035 $a(PQKBWorkID)10048517 035 $a(PQKB)10168904 035 $a(UkCbUP)CR9780748629091 035 $a(StDuBDS)EDZ0000092648 035 $a(MiAaPQ)EBC286991 035 $a(Au-PeEL)EBL286991 035 $a(CaPaEBR)ebr10435241 035 $a(CaONFJC)MIL76243 035 $a(OCoLC)122335915 035 $a(DE-B1597)614925 035 $a(DE-B1597)9780748629091 035 $a(OCoLC)1306539792 035 $a(EXLCZ)991000000000351194 100 $a20070322d2007 uy 0 101 0 $aeng 135 $aur||||||||||| 181 $ctxt$2rdacontent 182 $cc$2rdamedia 183 $acr$2rdacarrier 200 14$aThe American counterculture /$fChristopher Gair 205 $a1st ed. 210 $aEdinburgh $cEdinburgh University Press$d2007 215 $a1 online resource (234 pages) $cdigital, PDF file(s) 300 $aTitle from publisher's bibliographic system (viewed on 02 Oct 2015). 311 $a0-7486-1988-7 311 $a0-7486-1989-5 320 $aIncludes bibliographical references and index. 327 $aPart One: 1945-1960. Fiction -- Music -- Painting -- Film -- Part Two: 1961-1972. Fiction -- Music -- Painting -- Film. 330 $aThe American counterculture played a major role during a pivotal moment in American history. Post-War prosperity combined with the social and political repression characteristic of middle-class life to produce both widespread civil disobedience and artistic creativity in the Baby Boomer generation. This introduction explores the relationship between the counterculture and American popular culture. It looks at the ways in which Hollywood and corporate record labels commodified and adapted countercultural texts, and the extent to which countercultural artists and their texts were appropriated. It offers an interdisciplinary account of the economic and social reasons for the emergence of the counterculture, and an appraisal of the key literary, musical, political and visual texts which were seen to challenge dominant ideologies. Key Features: *examines the ways in which texts were seen to be countercultural *assesses the extent to which they represented real opposition to cultural orthodoxies *scrutinises the notion of the counterculture *examines the limits to and achievements of the counterculture *places key countercultural figures and texts in context of the shifting wider social and political climate of the United States *uses case studies to illuminate the text. 606 $aCounterculture$zUnited States 606 $aPopular culture$zUnited States 615 0$aCounterculture 615 0$aPopular culture 676 $a306.1 686 $a71.50$2bcl 700 $aGair$b Christopher$f1961-$0599983 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814110703321 996 $aAmerican counterculture$91022194 997 $aUNINA