LEADER 02185nam 2200577 450 001 9910814101403321 005 20230807193355.0 010 $a0-8263-5162-X 035 $a(CKB)3710000000483656 035 $a(EBL)4012441 035 $a(SSID)ssj0001555645 035 $a(PQKBManifestationID)16179482 035 $a(PQKBTitleCode)TC0001555645 035 $a(PQKBWorkID)14194992 035 $a(PQKB)10609457 035 $a(MiAaPQ)EBC4012441 035 $a(OCoLC)922925894 035 $a(MdBmJHUP)muse91441 035 $a(Au-PeEL)EBL4012441 035 $a(CaPaEBR)ebr11102500 035 $a(CaONFJC)MIL838762 035 $a(EXLCZ)993710000000483656 100 $a20151111h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 14$aThe Maltese Falcon to Body of Lies $espies, noirs, and trust /$fRobert von Hallberg 210 1$aAlbuquerque, New Mexico :$cUniversity of New Mexico Press,$d2015. 210 4$dİ2015 215 $a1 online resource (233 p.) 225 1 $aRecencies Series: Research and Recovery in Twentieth-Century American Poetics 300 $aDescription based upon print version of record. 311 $a0-8263-5136-0 320 $aIncludes bibliographical references and index. 330 $aExamining twenty-eight great noir films from the earliest examples of the genre, including The Maltese Falcon, The Big Sleep, and Out of the Past, to such twenty-first-century spy films as The Good Shepherd, Syriana, and The Bourne Ultimatum, this study explores the representations of trust and commitment that noir and spy films propose. 410 0$aRecencies. 606 $aFilm noir$zUnited States$xHistory and criticism 606 $aSpy films$zUnited States$xHistory and criticism 615 0$aFilm noir$xHistory and criticism. 615 0$aSpy films$xHistory and criticism. 676 $a791.43/655 700 $aVon Hallberg$b Robert$f1946-$01699143 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814101403321 996 $aThe Maltese Falcon to Body of Lies$94081165 997 $aUNINA