LEADER 04236nam 2200721Ia 450 001 9910814041903321 005 20200520144314.0 010 $a1-136-32208-6 010 $a0-203-12057-4 010 $a1-283-84127-4 010 $a1-136-32209-4 024 7 $a10.4324/9780203120576 035 $a(CKB)2670000000298811 035 $a(EBL)1074938 035 $a(OCoLC)821173790 035 $a(SSID)ssj0000812061 035 $a(PQKBManifestationID)11463091 035 $a(PQKBTitleCode)TC0000812061 035 $a(PQKBWorkID)10859593 035 $a(PQKB)11455578 035 $a(MiAaPQ)EBC1074938 035 $a(Au-PeEL)EBL1074938 035 $a(CaPaEBR)ebr10631094 035 $a(CaONFJC)MIL415377 035 $a(OCoLC)900237919 035 $a(EXLCZ)992670000000298811 100 $a20120227d2012 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aWhere no man has gone before $eessays on women and science fiction /$fedited by Lucie Armitt 205 $a1st ed. 210 $aLondon $cRoutledge$d2012 215 $a1 online resource (249 p.) 225 0$aRoutledge library editions.$pWomen, feminism and literature ;$vv. 1 300 $aFirst published in 1991 by Routledge. 311 $a0-415-75226-4 311 $a0-415-52125-4 320 $aIncludes bibliographical references and index. 327 $aCover; Where No Man Has Gone Before; Copyright; Where No Man Has Gone Before; Dedication; Contents; Introduction; Part I. Writing Through the Century: Individual Authors; Chapter 1. The loss of the feminine principle in Charlotte Haldane's Man's World and Katherine Burdekin's Swastika Night; Chapter 2. 'Shambleau . . . and others': therole of the female in the fiction of C. L Moore; Chapter 3. Remaking the Old World: Ursula Le Guln and the American tradition; Chapter 4. Doris Lessing and the politics of violence; Part II. Aliens and Others: A Contemporary Perspective 327 $aChapter 5. Mary and the monster: Mary Shelley's Frankenstein and Maureeen Duffy's Gor SagaChapter 6. Pets and monsters: metamorphoses in recent science fiction; Chapter 7. Between the boys and their toys: the science fiction film; Chapter 8. Your word is my command: the structures of language and power In women's science fiction; Chapter 9. 'I'm not in the business I am the business': women at work in Hollywood science fiction; Part III. Readers and Writers: SF as Genre Fiction; Chapter 10. Writing science fiction for the teenage reader; Chapter 11. Sex, sub-atomic particles and sociology 327 $aChapter 12. Maeve and Guinevere: women's fantasy writing in the science fiction market placeChapter 13. 'Goodbye to all that ...'; Bibliography; Index 330 $aHow do women writers use science fiction to challenge assumptions about the genre and its representations of women?To what extent is the increasing number of women writing science fiction reformulating the expectations of readers and critics?What has been the effect of this phenomenon upon the academic establishment and the publishing industry?These are just some of the questions addressed by this collection of original essays by women writers, readers and critics of the genre. But the undoubted existence of a recent surge of women's interest in science fiction is by no 410 0$aRoutledge library editions.$pWomen, feminism and literature. 606 $aScience fiction, English$xWomen authors$xHistory and criticism 606 $aAmerican fiction$xWomen authors$xHistory and criticism 606 $aScience fiction, American$xHistory and criticism 606 $aWomen and literature$zEnglish-speaking countries 615 0$aScience fiction, English$xWomen authors$xHistory and criticism. 615 0$aAmerican fiction$xWomen authors$xHistory and criticism. 615 0$aScience fiction, American$xHistory and criticism. 615 0$aWomen and literature 676 $a809.38762 701 $aArmitt$b Lucie$f1962-$0169219 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910814041903321 996 $aWhere no man has gone before$91332214 997 $aUNINA