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100   $a20160620h20152015  uy             0
101 0 $aeng
135   $aurcnu||||||||
181   $2rdacontent
182   $2rdamedia
183   $2rdacarrier
200 12$aA colourful presence $ethe evolution of women's representation in Iranian cinema /$fby Maryam Ghorbankarimi
210  1$aNewcastle upon Tyne, England :$cCambridge Scholars Publishing,$d2015.
210  4$dİ2015
215   $a1 online resource (221 p.)
300   $aDescription based upon print version of record.
311   $a1-4438-8272-0 
320   $aIncludes bibliographical references and filmographies.
330   $aThis book analyzes the changes in the representation of women in Iranian cinema since the 1960's, and investigates the reasons and motives for this. Iranian cinema, both before and after the Islamic Revolution, has been closely monitored by the ruling power, and has been utilized to relay messages and information that comply with the ruling ideology.However, it was only after the 1979 Revolution and the subsequent legitimization of cinema by the Islamic rule that cinema became widely accessible to the general public. Within this context, this book explores the changing roles of women in film pr
606   $aWomen in motion pictures
606   $aMotion pictures$zIran
615  0$aWomen in motion pictures.
615  0$aMotion pictures
676   $a791.43652042
700   $aGhorbankarimi$b Maryam$01647520
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910814031003321
996   $aA colourful presence$93995122
997   $aUNINA