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024 7 $a10.1093/oso/9780195083446.001.0001
035   $a(CKB)1000000000033352
035   $a(EBL)241520
035   $a(OCoLC)191038490
035   $a(SSID)ssj0000261102
035   $a(PQKBManifestationID)11217333
035   $a(PQKBTitleCode)TC0000261102
035   $a(PQKBWorkID)10225328
035   $a(PQKB)11510247
035   $a(Au-PeEL)EBL4701382
035   $a(CaPaEBR)ebr11273149
035   $a(OCoLC)821688735
035   $a(MiAaPQ)EBC4701382
035   $a(OCoLC)1406781332
035   $a(StDuBDS)9780197705414
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100   $a19960930e20231996  |y         |
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 10$aTragedy's end $eclosure and innovation in Euripidean drama /$fFrancis M. Dunn$b[electronic resource]
210  1$aNew York ;$cOxford University Press,$d2023.
215   $a1 online resource (263 p.)
225 1 $aOxford scholarship online
300   $aPreviously issued in print: 1996.
311   $a0-19-508344-X 
320   $aIncludes bibliographical references and indexes.
327   $aContents; 1 Introduction; I: Closing Gestures; II: The End Refigured; III: The Ends of Tragedy; Notes; Works Cited; Index of Euripidean Passages; General Index
330 8 $aThis work argues that artificial endings in Euripides reinforce innovations in plot and ending. After exploring the playwright's novel closing gestures, the book offers readings of plot, ending and generic innovation in six of Euripides' plays.
410  0$aOxford scholarship online.
606   $aGreek drama (Tragedy)$xHistory and criticism
606   $aOriginality (Aesthetics)
606   $aClosure (Rhetoric)
606   $aRhetoric, Ancient
615  0$aGreek drama (Tragedy)$xHistory and criticism.
615  0$aOriginality (Aesthetics)
615  0$aClosure (Rhetoric)
615  0$aRhetoric, Ancient.
676   $a882/.01
700   $aDunn$b Francis M.$0169426
801  0$bDLC
801  1$bDLC
801  2$bUk
801  2$bStDuBDSZ
801  2$bStDuBDSZ
906   $aBOOK
912   $a9910813909803321
996   $aTragedy's end$9490375
997   $aUNINA