LEADER 02467nam 22005531 450 001 9910813891403321 005 20230803024356.0 010 $a0-19-990885-0 010 $a1-299-95652-1 035 $a(CKB)2560000000296602 035 $a(EBL)3055682 035 $a(OCoLC)922972730 035 $a(SSID)ssj0001001307 035 $a(PQKBManifestationID)11975446 035 $a(PQKBTitleCode)TC0001001307 035 $a(PQKBWorkID)10967034 035 $a(PQKB)10551340 035 $a(StDuBDS)EDZ0000172373 035 $a(MiAaPQ)EBC3055682 035 $a(EXLCZ)992560000000296602 100 $a20130205h20132013 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aRedefining Hungarian music from Liszt to Barto?k /$fLynn M. Hooker 210 1$aNew York :$cOxford University Press,$d2014. 215 $a1 online resource (321 p.) 300 $aDescription based upon print version of record. 311 $a0-19-973959-5 311 $a0-19-936946-1 320 $aIncludes bibliographical references and index. 327 $aRhapsody on Hungarian themes : the development of Hungarian art and music in historical context from the reform era to World War I -- The Liszt centennial and Liszt's legacy in Hungarian musical life -- From gypsies to peasants : race, nation, and modernity -- Writing Hungarian music : genre, motive, spirit -- Cosmopolitan nationalist modernism : promoting and composing modern Hungarian music. 330 8 $aSome of the most popular works of 19th-century music were labelled either 'Hungarian' or 'Gypsy' in style, including many of the best-known and least-respected of Liszt's compositions. In the early 20th century, Bela Bartok and his colleagues questioned not only the Hungarianness but also the good taste of that style. Bartok argued that it should be discarded in favour of a national style based in the 'genuine' folk music of the rural peasantry. 606 $aMusic$zHungary$xHistory and criticism 606 $aNationalism in music 607 $aHungary$xCivilization 615 0$aMusic$xHistory and criticism. 615 0$aNationalism in music. 676 $a780.9439 700 $aHooker$b Lynn M$01683968 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813891403321 996 $aRedefining Hungarian music from Liszt to Barto?k$94055133 997 $aUNINA