LEADER 02284nam  2200565 a 450 
001 9910813888603321
005 20240508003841.0
010   $a1-282-55504-9
010   $a9786612555046
010   $a1-84150-304-5
035   $a(CKB)2560000000011203
035   $a(EBL)537265
035   $a(OCoLC)646826629
035   $a(SSID)ssj0000414076
035   $a(PQKBManifestationID)12129671
035   $a(PQKBTitleCode)TC0000414076
035   $a(PQKBWorkID)10386268
035   $a(PQKB)11133108
035   $a(MiAaPQ)EBC537265
035   $a(Au-PeEL)EBL537265
035   $a(CaPaEBR)ebr10384059
035   $a(CaONFJC)MIL255504
035   $a(EXLCZ)992560000000011203
100   $a20100614d2010      uy         0
101 0 $aeng
135   $aur|n|---|||||
181   $ctxt
182   $cc
183   $acr
200 00$aCinema and landscape /$fGraeme Harper & Jonathan Rayner (eds)
205   $a1st ed.
210   $aBristol, U.K. $cIntellect$d2010
215   $a1 online resource (322 p.)
300   $aDescription based upon print version of record.
311   $a1-84150-309-6 
320   $aIncludes bibliographical references and index.
327   $apt. 1. The invention of the cinematic landscape -- pt. 2. Mapping cinematic landscapes.
330   $aWhile the consideration of landscape on film has been growing in currency over the past four to five years, as yet no single publication has attempted to embrace the multitude of nationalities, cinematic examples and critical approaches that Cinema and Landscape encompasses. Written by reputed cinema scholars and academic innovators, this volume both extends the existing field of film studies and stakes claims to overlapping, contested territories in the art and humanities and the social sciences. The notion of landscape is a complex one, but it has been central to the art and artistry of the 
606   $aLandscapes in motion pictures
615  0$aLandscapes in motion pictures.
676   $a791.4301
701   $aHarper$b Graeme$01608735
701   $aRayner$b Jonathan$g(Jonathan R.)$0921543
801  0$bMiAaPQ
801  1$bMiAaPQ
801  2$bMiAaPQ
906   $aBOOK
912   $a9910813888603321
996   $aCinema and landscape$94044206
997   $aUNINA