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200 10$aFrom the erotic to the demonic $eon critical musicology /$fDerek B. Scott
205   $a1st ed.
210   $aOxford ;$aNew York $cOxford University Press$d2003
215   $a1 online resource (258 p.) $cill
300   $aBibliographic Level Mode of Issuance: Monograph
311   $a0-19-515195-X 
311   $a0-19-987039-X 
320   $aIncludes bibliographical references and index.
327   $aIntro -- CONTENTS -- INTRODUCTION -- PART ONE: SEXUALITY, GENDER, AND MUSICAL STYLE -- 1 Erotic Representation from Monteverdi to Mae West -- 2 The Sexual Politics of Victorian Musical Aesthetics -- PART TWO: IDEOLOGY AND THE POPULAR -- 3 The Native American in Popular Music -- 4 Incongruity and Predictability in British Dance Band Music of the 1920s and 1930s -- PART THREE: THE SACRED AND THE PROFANE -- 5 Lux in Tenebris: Bruckner and the Dialectic of Darkness and Light -- 6 Diabolus in Musica: Liszt and the Demonic -- PART FOUR: IDEOLOGY AND CULTURAL OTHERNESS -- 7 Orientalism and Musical Style -- 8 The Impact of African-American Music Making on the European Classical Tradition in the 1920s -- Notes -- Index.
330 8 $aThis text should prove useful as a model for musicologists who want to take a postmodern approach to their inquiries. It demonstrates how different musical styles construct ideas of class, sexuality, and ethnic identity.
606   $aMusic$xSocial aspects
606   $aMusic$xPhilosophy and aesthetics
606   $aStyle, Musical
615  0$aMusic$xSocial aspects.
615  0$aMusic$xPhilosophy and aesthetics.
615  0$aStyle, Musical.
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