LEADER 04365nam 2200577 450 001 9910813852603321 005 20230807220030.0 010 $a90-04-30001-5 024 7 $a10.1163/9789004300019 035 $a(CKB)3710000000435198 035 $a(EBL)2079190 035 $a(SSID)ssj0001516760 035 $a(PQKBManifestationID)11895221 035 $a(PQKBTitleCode)TC0001516760 035 $a(PQKBWorkID)11499731 035 $a(PQKB)11584301 035 $a(MiAaPQ)EBC2079190 035 $a(OCoLC)910293885 035 $a(nllekb)BRILL9789004300019 035 $a(EXLCZ)993710000000435198 100 $a20150710h20152015 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 00$aByzantium/modernism $ethe Byzantine as method in modernity /$fedited by Roland Betancourt, Maria Taroutina 210 1$aLeiden, Netherlands ;$aBoston, Massachusetts :$cBrill,$d2015. 210 4$d©2015 215 $a1 online resource (395 p.) 225 1 $aVisualising the Middle Ages,$x1874-0448 ;$vVolume 12 300 $aDescription based upon print version of record. 311 $a90-04-29220-9 320 $aIncludes bibliographical refererences and index. 327 $tPreliminary Material --$tIntroduction: Byzantium and Modernism /$rMaria Taroutina --$t1 Modernism?s Byzantium Byzantium?s Modernism /$rRobert S. Nelson --$t2 Kazimir Malevich and the Liturgical Tradition of Eastern ­Christianity /$rMyroslava M. Mudrak --$t3 Arts and Crafts and the ?Byzantine?: The Greek Connection /$rDimitra Kotoula --$t4 Archaeology of Decadence: Uncovering Byzantium in Victorien Sardou?s Theodora /$rElena N. Boeck --$t5 Abstraction?s Economy: Hagia Sophia in the Imaginary of Modern Architecture /$rTulay Atak --$t6 Byzantine Architecture: A Moving Target? /$rRobert Ousterhout --$tIntroduction: The Slash as Method /$rRoland Betancourt --$t7 Byzantium and the Modernist Subject: The Case of Autobiographical Literature /$rStratis Papaioannou --$t8 One Fish Two Fish Red Fish Blue Fish: Byzantine Visual Structures in the Light of Twentieth-Century Practice and Theory /$rAnthony Cutler --$t9 Iconicity of the Photographic Image: Theodore of Stoudios and André Bazin /$rDevin Singh --$t10 Tarkovsky: Embodying the Screen /$rMarie-José Mondzain --$t11 ?Action-Paradise? and ?Readymade Reliquaries?: Eccentric Histories in/of Recent Russian Art /$rJane A. Sharp --$t12 Lacan and Byzantine Art: In the Beginning was the Image /$rRico Franses --$t13 Beyond Representation/The Gift of Sight /$rCharles Barber --$t14 We Have Never been Byzantine: On Analogy /$rGlenn Peers --$tSelect Bibliography /$rRoland Betancourt and Maria Taroutina --$tIndex /$rRoland Betancourt and Maria Taroutina. 330 $aByzantium/Modernism features contributions by fourteen international scholars and brings together a diverse range of interdisciplinary essays on art, architecture, theatre, film, literature, and philosophy, which examine how and why Byzantine art and image theory can contribute to our understanding of modern and contemporary visual culture. Particular attention is given to intercultural dialogues between the former dominions of the Byzantine Empire, with a special focus on Greece, Turkey, and Russia, and the artistic production of Western Europe and America. Together, these essays invite the reader to think critically and theoretically about the dialogic interchange between Byzantium and modernism and to consider this cross-temporal encounter as an ongoing and historically deep narrative, rather than an ephemeral or localized trend. Contributors are Tulay Atak, Charles Barber, Elena Boeck, Anthony Cutler, Rico Franses, Dimitra Kotoula, Marie-José Mondzain, Myroslava M. Mudrak, Robert S. Nelson, Robert Ousterhout, Stratis Papaioannou, Glenn Peers, Jane A. Sharp and Devin Singh. 410 0$aVisualising the Middle Ages ;$vVolume 12. 606 $aModernism (Aesthetics) 606 $aAesthetics, Byzantine 615 0$aModernism (Aesthetics) 615 0$aAesthetics, Byzantine. 676 $a700.1/08 702 $aBetancourt$b Roland 702 $aTaroutina$b Maria 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813852603321 996 $aByzantium$9298959 997 $aUNINA