LEADER 01114cam0-2200373---450 001 990010054430403321 005 20221215093826.0 010 $a978-13-087-3163-6 035 $a001005443 035 $aFED01001005443 035 $a(Aleph)001005443FED01 035 $a001005443 100 $a20160317d2016----km-y0itay50------ba 101 0 $aita 102 $aIT 105 $ay-------001yy 200 1 $aIntermediari, mercati e strumenti finanziari$fAntonio Caggia, Beniamino Andrea Piccone 210 $a[Milano]$cMcGraw Hill create$d2016 215 $aV, 603 p.$d26 cm 225 1 $aCustom publishing$v3163-6 676 $a332$v23$zita 700 1$aCaggia,$bAntonio$0749522 701 1$aPiccone,$bBeniamino Andrea$0749523 801 0$aIT$bUNINA$gRICA$2UNIMARC 901 $aBK 912 $a990010054430403321 952 $aAZTIF106A$b596$fDECBC 952 $aAZTIF106C$b728$fDECBC 952 $aAZTIF106B$b597$fDECBC 952 $aAZTIF106D$b1494$fDECBC 952 $aAZTIF106E$b1495$fDECBC 959 $aDECBC 996 $aIntermediari, Mercati e Strumenti Finanziari$91508929 997 $aUNINA LEADER 02815nam 2200589 450 001 9910813719303321 005 20230803221254.0 010 $a1-4529-4218-8 035 $a(CKB)2550000001279972 035 $a(EBL)1680083 035 $a(SSID)ssj0001194483 035 $a(PQKBManifestationID)11689280 035 $a(PQKBTitleCode)TC0001194483 035 $a(PQKBWorkID)11154201 035 $a(PQKB)10969268 035 $a(MiAaPQ)EBC1680083 035 $a(Au-PeEL)EBL1680083 035 $a(CaPaEBR)ebr10863678 035 $a(CaONFJC)MIL600945 035 $a(OCoLC)878922810 035 $a(EXLCZ)992550000001279972 100 $a20140505h20142014 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aReading writing interfaces $efrom the digital to the bookbound /$fLori Emerson 210 1$aMinneapolis, Minnesota :$cUniversity of Minnesota Press,$d2014. 210 4$dİ2014 215 $a1 online resource (248 p.) 225 1 $aElectronic Mediations ;$v44 300 $aDescription based upon print version of record. 311 $a0-8166-9126-6 311 $a1-306-69694-1 320 $aIncludes bibliographical references and index. 327 $aCover; Contents; Acknowledgments; Introduction: Opening Closings; 1. Indistinguishable from Magic: Invisible Interfaces and Digital Literature as Demystifier; 2. From the Philosophy of the Open to the Ideology of the User-Friendly; 3. Typewriter Concrete Poetry as Activist Media Poetics; 4. The Fascicle as Process and Product; Postscript: The Googlization of Literature; Notes; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; X; Y; Z 330 $aLori Emerson examines how interfaces-from today's multitouch devices to yesterday's desktops, from typewriters to Emily Dickinson's self-bound fascicle volumes-mediate between writer and text as well as between writer and reader. Following the threads of experimental writing from the present into the past, she shows how writers have long tested and transgressed technological boundaries. Reading the means of production as well as the creative works they produce, Emerson demonstrates that technologies are more than mere tools and that the interface is not a neutral border betwe 410 0$aElectronic mediations ;$v44. 606 $aHypertext literature$xHistory and criticism 606 $aLiterature and technology 615 0$aHypertext literature$xHistory and criticism. 615 0$aLiterature and technology. 676 $a802/.85 700 $aEmerson$b Lori$01722866 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813719303321 996 $aReading writing interfaces$94123648 997 $aUNINA