LEADER 05805nam 2200637 a 450 001 9910813647603321 005 20230725060222.0 010 $a1-280-39473-0 010 $a9786613572653 010 $a94-012-0745-3 024 7 $a10.1163/9789401207454 035 $a(CKB)2550000000101006 035 $a(EBL)1092290 035 $a(OCoLC)796785235 035 $a(SSID)ssj0000681942 035 $a(PQKBManifestationID)12310618 035 $a(PQKBTitleCode)TC0000681942 035 $a(PQKBWorkID)10663533 035 $a(PQKB)11235117 035 $a(MiAaPQ)EBC1092290 035 $a(OCoLC)888998705 035 $a(nllekb)BRILL9789401207454 035 $a(Au-PeEL)EBL1092290 035 $a(CaPaEBR)ebr10558414 035 $a(CaONFJC)MIL357265 035 $a(EXLCZ)992550000000101006 100 $a20120514d2011 uy 0 101 0 $aeng 135 $aurcn||||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aEssays on performativity and on surveying the field$b[electronic resource] /$fedited by Walter Bernhart in collaboration with Michael Halliwell 210 $aAmsterdam ;$aNew York $cRodopi$d2011 215 $a1 online resource (302 p.) 225 1 $aWord and music studies ;$v12 300 $aRevised papers from the 7th International Conference on Word and Music Studies, June 2009, Vienna. 311 $a90-420-3463-7 320 $aIncludes bibliographical references. 327 $tPreliminary Material -- $tPerformativity and the Musical Work of Art /$rTobias Janz -- $tText vs. Act: The Bearbeitungsfrage and the ?Romantic Baroque? /$rDavid Francis Urrows -- $tThe Act of Performance as Mahlerian Topic /$rRobert Samuels -- $tPolitics, Music and Irony in Alejo Carpentier?s Novel La consagración de la primavera (The Rite of Spring) /$rKatia Chornik -- $tMusical Performativity in the Fiction of Katherine Mansfield /$rDelia da Sousa Correa -- $tRhythmical Ambivalence of Poetry Performance: The Case of Elizabethan Verse /$rWalter Bernhart -- $t?Music will keep out temporary ideas?: W. B. Yeats?s Radio Performances /$rAdrian Paterson -- $t?The Invisible? / ?The Inaudible?: Aspects of Performativity in Celan and Leibowitz /$rAxel Englund -- $tRomantic Opera and the Virtuoso /$rSimon Williams and Santa Barbara -- $tSexing Song: Brigitte Fassbaender?s Winterreise /$rLawrence Kramer -- $tVocal Embodiment and Performing Language in Waiting for the Barbarians: Philip Glass?s Adaptation of J. M. Coetzee?s Novel /$rMichael Halliwell -- $tOperatic Hyperreality in the Twenty-First Century: Performance Documentation in High-Definition Quality /$rBernhard Kuhn -- $tJazz Novels and the Textualization of Musical Performance /$rEmily Petermann -- $tCharles Mingus and Performative Composing /$rMario Dunkel -- $tWittgenstein and Schoenberg on Performativity of Music as Method for Philosophy /$rKatrin Eggers -- $tSeeing Words and Music as a Painter Might: The Interart Aesthetic /$rPeter Dayan -- $tMilan Kundera?s Polyphonic Novels and the Poetics of Divestment /$rDavid Mosley -- $tNotes on Contributors. 330 $aThe main section of this volume of essays addresses the topic of ?Performativity in Literature and Music?, a subject of high contemporary relevance since a substantial part of recent reflections in the humanities are concerned with the performance aspect of cultural activities, particularly in the arts. This decisive reorientation of scholarly interests in the arts, trendily called the ?performative turn?, has yielded significant contributions to an increasingly refined understanding of artistic processes from an up-to-date perspective, and specifically what has been called the ?crisis of the work concept? has sharpened our awareness of the need of finding the ?proper? object of such scholarly investigations, which, as in most traditional studies, cannot be exclusively the written documents of our cultural heritage, but additionally, and essentially so, their actualizations in performance situations. This volume for the first time offers a set of careful case studies from a wide range of artistic genres (narrative fiction, poetry, opera, instrumental music, songs, jazz) and historical phases (from Elizabethan verse to 21st-century HD opera performances) which give detailed insight into consequences of addressing issues of performativity in the field of word and music studies. Closely examined examples range, in music, from the romantic reception of Bach and the opera singer Maria Malibran through Mahler and Schoenberg to Brigitte Fassbaender, Philip Glass and Charles Mingus, and, in literature, from Sidney through Yeats and Celan to Katherine Mansfield, Alejo Carpentier and Toni Morrison. In addition, the volume contains a smaller section on ?Surveying the Field? of word and music studies which includes an essay of general reflection on interart relationships and an attempt at identifying new features of the ?musicalization of fiction?. This collection of essays will be relevant to students and scholars from a wide variety of fields: performance studies, intermediality studies, art theory, musicology, voice studies, literary criticism, and philosophy. 410 0$aWord and music studies ;$v12. 606 $aMusic and literature$vCongresses 606 $aMusic$xPhilosophy and aesthetics$vCongresses 615 0$aMusic and literature 615 0$aMusic$xPhilosophy and aesthetics 676 $a780 701 $aBernhart$b Walter$01602534 701 $aHalliwell$b Michael$f1950-$0480131 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813647603321 996 $aEssays on performativity and on surveying the field$94082673 997 $aUNINA