LEADER 02910nam 2200565 450 001 9910813526803321 005 20230803195342.0 010 $a1-78023-115-6 035 $a(CKB)2670000000531015 035 $a(EBL)1644070 035 $a(SSID)ssj0001211364 035 $a(PQKBManifestationID)11665670 035 $a(PQKBTitleCode)TC0001211364 035 $a(PQKBWorkID)11204805 035 $a(PQKB)11383995 035 $a(MiAaPQ)EBC1644070 035 $a(Au-PeEL)EBL1644070 035 $a(CaPaEBR)ebr10847783 035 $a(OCoLC)871781640 035 $a(EXLCZ)992670000000531015 100 $a20140322h20142014 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aAlbrecht Altdorfer and the origins of landscape /$fChristopher S. Wood 205 $aRevised and expanded second edition. 210 1$aLondon, [England] :$cReaktion Books,$d2014. 210 4$dİ2014 215 $a1 online resource (439 p.) 300 $aDescription based upon print version of record. 311 $a1-78023-080-X 320 $aIncludes bibliographical references and index. 327 $aCover; Albrecht Altdorfer and the Origins of Landscape; Imprint Page; Contents; 1. Independent Landscape; Where Landscape could Appear; Landscape and Text; Landscape as Parergon or By-Work; 2. Frame and Work; The German Artist's Career; Subject and Setting; The Landscape Study; 3. The German Forest; Two-Dimensional Pleasures; Germania Illustrata; Outdoor Worship; Wanderer, Traveller; 4. Topography and Fiction; The Topographical Drawing; Style in Altdorfer's Pen-and-Ink Landscapes; 5. The Published Landscape; Altdorfer's Public; 'Printed Drawings'; Order and Disorder 327 $aAfterword to the Second EditionReferences; Bibliography; List of Illustrations; Checklist of Landscapes; Index 330 $aIn the early sixteenth century, Albrecht Altdorfer promoted landscape from its traditional role as background to its new place as the focal point of a picture. His paintings, drawings, and etchings appeared almost without warning and mysteriously disappeared from view just as suddenly. In Albrecht Altdorfer and the Origins of Landscape, Christopher S. Wood shows how Altdorfer transformed what had been the mere setting for sacred and historical figures into a principal venue for stylish draftsmanship and idiosyncratic painterly effects. At the same time, his landscapes offered a den 606 $aArt, Modern 606 $aLandscape painting, Renaissance$zGermany 615 0$aArt, Modern. 615 0$aLandscape painting, Renaissance 676 $a759.3 700 $aWood$b Christopher S.$0167944 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813526803321 996 $aAlbrecht Altdorfer and the origins of landscape$94065901 997 $aUNINA