LEADER 03817oam 2200709I 450 001 9910813513903321 005 20240402042102.0 010 $a1-138-97073-5 010 $a1-315-85573-9 010 $a1-317-92857-1 010 $a1-317-92858-X 024 7 $a10.4324/9781315855738 035 $a(CKB)2550000001189883 035 $a(EBL)1600505 035 $a(SSID)ssj0001173226 035 $a(PQKBManifestationID)11636611 035 $a(PQKBTitleCode)TC0001173226 035 $a(PQKBWorkID)11103946 035 $a(PQKB)11206961 035 $a(OCoLC)874146410 035 $a(MiAaPQ)EBC1600505 035 $a(Au-PeEL)EBL1600505 035 $a(CaPaEBR)ebr10829758 035 $a(CaONFJC)MIL568811 035 $a(OCoLC)869095386 035 $a(OCoLC)897465242 035 $a(EXLCZ)992550000001189883 100 $a20180706e20141987 uy 0 101 0 $aeng 135 $aur|n|---||||| 181 $ctxt 182 $cc 183 $acr 200 10$aCinema and Ireland /$fKevin Rockett, Luke Gibbons, and John Hill 205 $a1st ed. 210 1$aLondon ;$aNew York :$cRoutledge,$d2014. 215 $a1 online resource (519 p.) 225 0 $aRoutledge Library Editions: Cinema ;$vVolume 25 300 $a"First published in 1987"--T.p. verso. 311 $a0-415-72648-4 311 $a1-306-37560-6 320 $aIncludes bibliographical references and index. 327 $aCover; Half Title; Title Page; Copyright Page; Original Title Page; Original Copyright Page; Table of Contents; Acknowledgements; Preface; Part One: History, Politics and Irish Cinema; 1 The Silent Period; Early exhibition; Kalem; Ireland a Nation; Film Company of Ireland; General Film Supply; Irish Free State, 1922-30; 2 1930s Fictions; 3 Documentaries; Ethnicity and landscape; Fianna Fa?il and political documentary; Post-war modernisation and government films; Versions of historical revision; 4 An Irish Film Studio; Early proposals; Ardmore Studios; Ardmore Studios and the Abbey Theatre 327 $aArdmore and international productionsIrish Film Board; 5 Breakthroughs; Conclusion; Part Two: Representations of Ireland; 6 Images of Violence; Introduction; Odd Man Out: 'We're all dying'; The Gentle Gunman: 'Put away your guns'; Shake Hands With the Devil and A Terrible Beauty: 'It's just killing'; The Violent Enemy: 'The violence is deep'; Hennessy and The Long Good Friday: 'Mad Micks' and Englishmen; Angel: 'We know where the madness is'; Cal: 'What a fucking country'; Conclusion; 7 Romanticism, Realism and Irish Cinema; Language, nature and Irish romanticism 327 $aLandscape and character in Irish romantic melodramaRomanticism and Irish cinema; Character, community and Irish cinema; New departures: Irish cinema in the 1980s; Postscript; Bibliography; Index 330 $aThis was the first comprehensive study of film production in Ireland from the silent period to the present day, and of representations of Ireland and 'Irishness' in native, British, and American films. It remains an authority on the topic. The book focuses on Irish history and politics to examine the context and significance of such films as Irish Destiny, The Quiet Man, Ryan's Daughter, Man of Aran, Cal, The Courier, and The Dead. 410 0$aRoutledge library editions.$pCinema. 606 $aMotion pictures$zIreland$xHistory 607 $aIreland$xIn motion pictures 615 0$aMotion pictures$xHistory. 676 $a791.43/09415 676 $a791.4309415 700 $aRockett$b Kevin.$01705008 701 $aGibbons$b Luke$01532482 701 $aHill$b John$g(W. John)$0366318 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813513903321 996 $aCinema and Ireland$94091381 997 $aUNINA