LEADER 05551nam 2200937 450 001 9910813475403321 005 20230912171231.0 010 $a1-281-99250-X 010 $a9786611992507 010 $a1-4426-8299-X 024 7 $a10.3138/9781442682993 035 $a(CKB)2430000000001942 035 $a(OCoLC)666900801 035 $a(CaPaEBR)ebrary10226425 035 $a(SSID)ssj0000312570 035 $a(PQKBManifestationID)11211291 035 $a(PQKBTitleCode)TC0000312570 035 $a(PQKBWorkID)10352264 035 $a(PQKB)11752659 035 $a(CaBNvSL)thg00601030 035 $a(DE-B1597)465082 035 $a(OCoLC)1013955706 035 $a(OCoLC)944177323 035 $a(DE-B1597)9781442682993 035 $a(Au-PeEL)EBL4672220 035 $a(CaPaEBR)ebr11257895 035 $a(OCoLC)958579799 035 $a(VaAlCD)20.500.12592/cw2hkc 035 $a(schport)gibson_crkn/2009-12-01/6/418589 035 $a(MiAaPQ)EBC4672220 035 $a(MdBmJHUP)musev2_105494 035 $a(MiAaPQ)EBC3258023 035 $a(EXLCZ)992430000000001942 100 $a20160914h20042004 uy 0 101 0 $aeng 135 $aurcnu|||||||| 181 $ctxt 182 $cc 183 $acr 200 10$aUtopia, carnival, and commonwealth in Renaissance England /$fChristopher Kendrick 210 1$aToronto, [Ontario] ;$aBuffalo, [New York] ;$aLondon, [England] :$cUniversity of Toronto Press,$d2004. 210 4$dİ2004 215 $a1 online resource (391 p.) 300 $aIncludes index. 311 $a0-8020-4776-9 311 $a0-8020-8936-4 320 $aIncludes bibliographical references and index. 327 $tUtopian Differences --$tDefining Middles: Morris, Fourier, Marx --$tDefining Beginnings: Utopia --$tCarnival and Utopia --$tUtopia as the Negation of Carnival --$tCarnival Strikes Back: Rabelais's Abbey of Theleme --$tUtopia and the Commonwealth --$tConjuring Revolution in the Dialogue of Counsel --$tThe Body Politic and Utopia in A Dialogue of Pole and Lupset --$tA Discourse of the Commonweal, the East Anglian Rebellion, and the End of the Smallholding Utopia --$tSprung Desire and Groups in Flux: On the Politics of the Utopian Impulse in Marlowe and Shakespeare --$tTravesty, Allegory, and the Political Effectivity of Renaissance Drama --$tMarlowe and the Utopia of Sprung Desire --$tGroups in Flux in Shakespeare's Henry IV, Part I --$tFlights from the Tudor Settlement; or, Carnival and Commonwealth Revised --$tNashe's Lenten Utopia --$tThe Imperial Lab: Discovering Forms in The New Atlantis. 330 $aWith the emergence of utopia as a cultural genre in the sixteenth century, a dual understanding of alternative societies, as either political or literary, took shape. In Utopia, Carnival, and Commonwealth in Renaissance England, Christopher Kendrick argues that the chief cultural-discursive conditions of this development are to be found in the practice of carnivalesque satire and in the attempt to construct a valid commonwealth ideology. Meanwhile, the enabling social-political condition of the new utopian writing is the existence of a social class of smallholders whose unevenly developed character prevents it from attaining political power equivalent to its social weight. In a detailed reading of Thomas More's Utopia, Kendrick argues that the uncanny dislocations, the incongruities and blank spots often remarked upon in Book II's description of Utopian society, amount to a way of discovering uneven development, and that the appeal of Utopian communism stems from its answering the desire of the smallholding class (in which are to be numbered European humanists) for unity and power. Subsequent chapters on Rabelais, Nashe, Marlowe, Bacon, Shakespeare, and others show how the utopian form engages with its two chief discursive preconditions, carnival and commonwealth ideologies, while reflecting the history of uneven development and the smallholding class. Utopia, Carnival, and Commonwealth in Renaissance England makes a novel case for the social and cultural significance of Renaissance utopian writing, and of the modern utopia in general. 606 $aEnglish literature$yEarly modern, 1500-1700$xHistory and criticism 606 $aUtopias in literature 606 $aPolitics and literature$zGreat Britain$xHistory$y16th century 606 $aPolitics and literature$zGreat Britain$xHistory$y17th century 606 $aSatire, English$xHistory and criticism 606 $aImaginary societies in literature 606 $aCarnival in literature 606 $aRenaissance$zEngland 607 $aEnglisch$2swd 607 $aGreat Britain$2fast 607 $aEngland$2fast 608 $aHistory. 608 $aCriticism, interpretation, etc. 608 $aElectronic books. 615 0$aEnglish literature$xHistory and criticism. 615 0$aUtopias in literature. 615 0$aPolitics and literature$xHistory 615 0$aPolitics and literature$xHistory 615 0$aSatire, English$xHistory and criticism. 615 0$aImaginary societies in literature. 615 0$aCarnival in literature. 615 0$aRenaissance 676 $a820.9372 700 $aKendrick$b Christopher$f1953-$01696113 701 $aCarey$b Frances$c(Art historian)$01696114 801 0$bMiAaPQ 801 1$bMiAaPQ 801 2$bMiAaPQ 906 $aBOOK 912 $a9910813475403321 996 $aUtopia, carnival, and commonwealth in Renaissance England$94075834 997 $aUNINA